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[null,"1.","Record Nr.",null,"UNINA9910483052003321"]
[null,null,"Titolo",null,"Shōjo Across Media : Exploring \"Girl\" Practices in Contemporary Japan / / edited by Jaqueline Berndt, Kazumi Nagaike, Fusami Ogi"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019"]
[null,null,"ISBN",null,"9783030014858"]
[{"$nulls":4},"3030014851"]
[null,null,"Edizione",null,"[1st ed. 2019.]"]
[null,null,"Descrizione fisica",null,"1 online resource (401 pages)"]
[null,null,"Collana",null,"East Asian Popular Culture, , 2634-5943"]
[null,null,"Disciplina",null,"791.43652055"]
[{"$nulls":4},"305.230820952"]
[null,null,"Soggetti",null,"Ethnology - Asia"]
[{"$nulls":4},"Culture"]
[{"$nulls":4},"Communication"]
[{"$nulls":4},"Sex"]
[{"$nulls":4},"Motion pictures - Asia"]
[{"$nulls":4},"Asia - Politics and government"]
[{"$nulls":4},"Asian Culture"]
[{"$nulls":4},"Media and Communication"]
[{"$nulls":4},"Gender Studies"]
[{"$nulls":4},"Asian Film and TV"]
[{"$nulls":4},"Asian Politics"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Part I: Shōjo Manga -- 1. Romance of the Taishō School Girl in Shōjo Manga: Here Comes Miss Modern (Alisa Freedman) -- 2. Redefining Shōjo and Shōnen Manga through Language Patterns (Giancarla Unser-Schutz) -- 3. Shōjo Manga Beyond Shōjo Manga: The “Female Mode of Address” in Kabukumon (Olga Antononoka) -- Part II: Shōjo beyond Manga -- 4. Practicing Shōjo in Japanese New Media and Cyberculture: Analyses of the Cell Phone Novel and Dream Novel (Kazumi Nagaike and Raymond Langley) -- 5. The Shōjo in the Rōjo: Enchi Fumiko’s Representation of the Rōjo Who Refused to Grow Old (Sohyun Chun) -- 6. Mediating Otome in the Discourse of War Memory: Complexity of Memory-Making through Postwar Japanese War Films (Kaori Yoshida) -- 7. Shōjo in Anime: Beyond the Object of Men’s Desire(Akiko "]
[{"$nulls":4},"Sugawa-Shimada) -- Part III: Shōjo Performances -- 8. A Dream Dress for Girls: Milk, Fashion and Shōjo Identity (Masafumi Monden) -- 9. Sakura ga meijiru—Unlocking the Shōjo Wardrobe: Cosplay, Manga, 2.5D Space(Emerald L. King) -- 10. Multilayered Performers: The Takarazuka Musical Revue as Media (Sonoko Azuma, Translated by Raymond Langley and Nick Hall) -- 11. Sounds and Sighs: “Voice Porn” for Women (Minori Ishida, Translated by Nick Hall) -- Part IV: Shōjo Fans -- 12. From Shōjo to Bangya(ru): Women and Visual Kei (Adrienne Johnson) -- 13. Shōjo Fantasies of Inhabiting Cool Japan: Reimagining Fukuoka Through Shōjo and Otome Ideals with Cosplay Tourism(Craig Norris) -- 14. Seeking an Alternative: “Male” Shōjo Fans since the 1970s (Patrick W. Galbraith)."]
[null,null,null,"Sommario/riassunto","Since the 2000s, the Japanese word shōjo has gained global currency, accompanying the transcultural spread of other popular Japanese media such as manga and anime. The term refers to both a character type specifically, as well as commercial genres marketed to female audiences more generally. Through its diverse chapters this edited collection introduces the two main currents of shōjo research: on the one hand, historical investigations of Japan’s modern girl culture and its representations, informed by Japanese-studies and gender-studies concerns; on the other hand, explorations of the transcultural performativity of shōjo as a crafted concept and affect-prone code, shaped by media studies, genre theory, and fan-culture research. While acknowledging that shōjo has mediated multiple discourses throughout the twentieth century—discourses on Japan and its modernity, consumption and consumerism, non-hegemonic gender, and also technology—this volume shifts the focus to shōjo mediations, stretching from media by and for actual girls, to shōjo as media. As a result, the Japan-derived concept, while still situated, begins to offer possibilities for broader conceptualizations of girlness within the contemporary global digital mediascape."]