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[null,"1.","Record Nr.",null,"UNINA9910482991003321"]
[null,null,"Autore",null,"Frey Bruno S."]
[null,null,"Titolo",null,"Overcoming overtourism : creating revived originals / / Bruno S. Frey"]
[null,null,"Pubbl/distr/stampa",null,"Cham, Switzerland : , : Springer, , [2021]"]
[{"$nulls":4},"©2021"]
[null,null,"ISBN",null,"3-030-63814-6"]
[null,null,"Descrizione fisica",null,"1 online resource (110 pages) : illustrations"]
[null,null,"Disciplina",null,"910.68"]
[null,null,"Soggetti",null,"Tourism - Management"]
[{"$nulls":4},"Overtourism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Intro -- Acknowledgments -- Contents -- 1: Overtourism: Problems and a Radical Proposal-An Introduction -- Part I: Overtourism: The Problem -- 2: Excessive Cultural Tourism -- 2.1  What Are the Figures? -- 2.2  Cultural Overtourism -- 2.3  Why Is Cultural Overtourism Growing So Quickly? -- 2.4  What Are the Effects of Cultural Mass Tourism? -- 3: Reactions to Cultural Overtourism -- 3.1  People Are Protesting -- 3.2  Shifting to So Far Little Visited Cultural Sites -- 3.3  Government Intervenes -- 3.3.1  Information and Appeals -- 3.3.2  Marketing Efforts -- 3.3.3  Temporal and Local Administrative Restrictions -- 3.3.4  Tax Incentives -- 3.3.5  Price Increase for Visitors -- 3.3.6  Auctioning of Visiting Rights -- 3.4  Visitors Are Banned -- Part II: Overtourism: A Radical Proposal -- 4: A Positive Alternative: Revived Originals -- 4.1  What Are the Features of Revived Originals? -- 4.1.1  The Most Important Buildings Are Replicated Identically -- 4.1.2  Digital Technology Is Extensively Applied -- 4.1.3  Art Sites Are Historically and Culturally Embedded -- 4.1.4  Combining Copy and Digital Technology -- 4.2  What Are the Advantages of Revived Originals? -- 4.3  Similar Sites Already Exist -- 4.3.1  Prehistoric Paintings in Altamira, Lascaux, and Chauvet -- 4.3.2  The Tomb of Tutankhamun -- 4.3.3  Panoramas and Dioramas -- 4.3.4  Wittgenstein's Hut in Norway -- 4.3.5  Neuschwanstein Castle -- 4.3.6  Berlin and Other German Cities -- 4.3.7  Ballenberg, Open-Air Museum of Switzerland -- 4.3.8  Swissminiature -- 4.3.9  Minimundus in Klagenfurt -- 4.3.10  Replicas in the United States -- 4.3.11  Replicas in Japan -- 4.3.12  Replicas in China -- 5: Revived Originals "]
[{"$nulls":4},"and Possible Counterarguments -- 5.1  Original Compared to Revived Original -- 5.2  Missing Atmosphere and Acceptance -- 5.3  Not Interesting for Selfie Tourists?."]
[{"$nulls":4},"6: What Problems Are Likely to Arise? -- 6.1  Which Organizational Forms Are Reasonable? -- 6.2  Is Suitable Property Available? -- 6.3  Is There a Rivalry with Existing Replicas? -- 6.4  Will the Originals Still Risk Being Overcrowded? -- 6.5  Political Resistance -- 7: How Can Revived Originals Become Reality? -- 7.1  Venice -- 7.2  Combining Several Cities -- 7.2.1  North Italian Cities -- 7.2.2  Austrian Cities -- 7.3  What Is Required to Create Revived Originals? -- Part III: Cultural Overtourism: A Perspective -- 8: Conclusions -- 8.1  Cultural Overtourism Is Controversial -- 8.2  Cultural Overtourism: A Solution -- 8.2.1  Revived Originals Will Cause Opposition -- 8.2.2  Revived Originals Offer Many Opportunities -- References."]