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[null,"1.","Record Nr.",null,"UNINA9910480881603321"]
[null,null,"Titolo",null,"Back to the futurists : the avant-garde and its legacy / / edited by Elza Adamowicz and Simona Storchi"]
[null,null,"Pubbl/distr/stampa",null,"Manchester, [England] ; ; New York, [New York] : , : Manchester University Press, , 2013"]
[{"$nulls":4},"©2013"]
[null,null,"ISBN",null,"1-5261-0200-5"]
[null,null,"Descrizione fisica",null,"1 online resource (318 p.)"]
[null,null,"Disciplina",null,"700.945"]
[null,null,"Soggetti",null,"Futurism (Art) - Italy"]
[{"$nulls":4},"Futurism (Literary movement) - Italy"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,"Nota di contenuto",null,"Back to the Futurists: The Avant-garde; Half Title Page; Title Page; Copyright; Contents; List of figures; Notes on contributors; Introduction: Elza Adamowicz and Simona Storchi; 1. Engaging the crowd: the Futurist manifesto as avant-garde advertisement: Matthew McLendon ; 2. Heroes/heroines of Futurist culture: oltreuomo/oltredonna: Jennifer Griffiths; 3. 'Out of touch': F. T. Marinetti's Il tattilismo and the Futurist critique of separation: Pierpaolo Antonello; 4. La bomba-romanzo esplosivo, or Dada's burning heart: Dafydd Jones"]
[{"$nulls":4},"5. Futurist canons and the development of avant-garde historiography (Futurism-6. 'An infinity of living forms, representative of the absolute'? Reading Futurism with Pierre Albert-Birot as witness, creative collaborator and dissenter: Debra Kelly; 7. The dispute over simultaneity: Boccioni - Delaunay, interpretational error or Bergsonian practice?: Delphine Bière; 8. Fernand Léger's La noce: the bride stripped bare?: Elza Adamowicz; 9. Nocturnal itineraries: Occultism and the metamorphic self in Florentine Futurism: Paola Sica"]
[{"$nulls":4},"10. 'A hysterical hullo-bulloo about motor cars': the Vorticist critique of Futurism, 1914-1919: Jonathan Black11. Futurist performance, 1910-1916: Günter Berghaus; 12. Le Roi Bombance: the original Futurist cookbook?: Selena Daly; 13. The cult of the 'expressive' in Italian Futurist poetry: new challenges to reading: John J. White; 14. Visual approaches to Futurist aeropoetry: Willard Bohn; 15. The Untameables: "]
[{"$nulls":4},"language and politics in Gramsci and Marinetti: Sascha Bru; 16. The dark side of Futurism: Marinetti and technological war: Marja Härmänmaa"]
[{"$nulls":4},"17. Rethinking interdisciplinarity: Futurist cinema as metamedium18. A Very Beautiful Day After Tomorrow: Luca Buvoli and the legacy of Futurism: Elisa Sai ; Index"]
[null,null,null,"Sommario/riassunto","This collection of essays aims to reassess the activities and legacy of the Italian Futurist movement from an international and interdisciplinary perspective."]