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[null,"1.","Record Nr.",null,"UNINA9910480323703321"]
[null,null,"Autore",null,"Capinski Marek"]
[null,null,"Titolo",null,"Measure, Integral and Probability [[electronic resource] /] / by Marek Capinski, (Peter) Ekkehard Kopp"]
[null,null,"Pubbl/distr/stampa",null,"London : , : Springer London : , : Imprint : Springer, , 1999"]
[null,null,"ISBN",null,"1-4471-3631-4"]
[null,null,"Edizione",null,"[1st ed. 1999.]"]
[null,null,"Descrizione fisica",null,"1 online resource (XI, 227 p. 20 illus.)"]
[null,null,"Collana",null,"Springer Undergraduate Mathematics Series, , 1615-2085"]
[null,null,"Disciplina",null,"515/.42"]
[null,null,"Soggetti",null,"Probabilities"]
[{"$nulls":4},"Mathematics"]
[{"$nulls":4},"Probability Theory and Stochastic Processes"]
[{"$nulls":4},"Mathematics, general"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"With 23 Figures\"--Title page."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"1. Motivation and preliminaries -- 2. Measure -- 3. Measurable functions -- 4. Integral -- 5. Spaces of integrable functions -- 6. Product measures -- 7. Limit theorems -- 8. Solutions to exercises -- 9. Appendix -- References."]
[null,null,null,"Sommario/riassunto","The central concepts in this book are Lebesgue measure and the Lebesgue integral. Their role as standard fare in UK undergraduate mathematics courses is not wholly secure; yet they provide the principal model for the development of the abstract measure spaces which underpin modern probability theory, while the Lebesgue function spaces remain the main sour ce of examples on which to test the methods of functional analysis and its many applications, such as Fourier analysis and the theory of partial differential equations. It follows that not only budding analysts have need of a clear understanding of the construction and properties of measures and integrals, but also that those who wish to contribute seriously to the applications of analytical methods in a wide variety of areas of mathematics, physics, electronics, engineering and, most recently, finance, need to study the underlying theory with some care. We have found remarkably few texts in the current literature which aim explicitly to provide for these needs, at a level accessible to current under­ graduates. There are many good books on modern prob ability theory, and increasingly they recognize the need for a strong grounding in the tools we develop in this book, but all too often the treatment is either "]
[{"$nulls":4},"too advanced for an undergraduate audience or else somewhat perfunctory."]
[null,"2.","Record Nr.",null,"UNISA996234833503316"]
[null,null,"Autore",null,"Wannagat Detlev"]
[null,null,"Titolo",null,"Archaisches Lachen : Die Entstehung einer komischen Bilderwelt in der korinthischen Vasenmalerei / / Detlev Wannagat"]
[null,null,"Pubbl/distr/stampa",null,"Berlin ; ; Boston : , : De Gruyter, , [2015]"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"3-11-038425-6"]
[{"$nulls":4},"3-11-021541-1"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (400 p.)"]
[null,null,"Collana",null,"Image & Context ; ; 3"]
[null,null,"Classificazione",null,"LG 4230"]
[null,null,"Disciplina",null,"738.3/8209387"]
[null,null,"Soggetti",null,"Vase-painting, Corinthian - Themes, motives"]
[{"$nulls":4},"Vases, Corinthian"]
[{"$nulls":4},"Vases, Black-figured - Greece - Corinth"]
[{"$nulls":4},"Comic, The, in art"]
[{"$nulls":4},"Wit and humor in art"]
[{"$nulls":4},"Parody in art"]
[{"$nulls":4},"Art and society - Greece - Corinth - History"]
[{"$nulls":4},"Social values - Greece - Corinth - History"]
[{"$nulls":4},"Corinth (Greece) Antiquities"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Vorwort -- Inhaltsverzeichnis -- I. Ausgangspunkte -- Einleitung -- Formen und Funktionen des Komischen -- Komik im antiken Griechenland -- Anfänge einer komischen Bilderwelt -- II. Körper -- Krüppel -- Exhibitionistische Präsentation und sexuelle Ausschweifung -- III. Kämpfe -- Tanz und Kampf -- IV. Helden -- Tänzer im Tierfries - Heroische Attitüden -- Komischer Held -- Ein Antiheld -- V. Thesen -- Komische Erzählstrukturen -- Zusammenfassung -- Summary -- VI. Anhang -- Anmerkungen -- Abkürzungsverzeichnis -- Abbildungsnachweis -- Museumsregister"]
[null,null,null,"Sommario/riassunto","Das Komische ist ein wesentliches Element jeder Kultur. Es entfaltet seine Wirkung im Spiel mit geltenden Normen, im gezielten Überschreiten der von Anstand und Sitte gesetzten Grenzen, im Unterlaufen der Gesetze einer herrschenden Logik. Seinen Platz findet es vor allem im Performativen, so dass Fest, Tanz und (Schau-)Spiel seine natürlichen Orte sind. Zum ersten Mal in der Geschichte des "]
[{"$nulls":4},"Bildes wurde in der korinthischen Vasenmalerei des 7. Jahrhunderts v. Chr. eine Ikonographie des Komischen entwickelt. Detlev Wannagat versteht es, den Blick für diese ersten Entwürfe komischer Figurentypen zu öffnen. Prägnant analysiert er, wie diese Darstellungen im archaischen Griechenland eingesetzt und wahrgenommen wurden. Die bislang vernachlässigte Nahsicht auf die neuen Figurentypen erweckt den erstaunlichen Esprit und überraschenden Witz dieser Bildschöpfungen. Aus dieser anthropologisch zugespitzten Perspektive wirft Detlev Wannagat neues Licht auf die gesellschaftlichen Wertvorstellungen, die in den Bildern des Komischen gebrochen und spielerisch präfiguriert werden. Die griechische Kultur erweist sich auch auf diesem Gebiet als eine Bildkultur, die ungemein kreativ und prägend wirkt."]
[{"$nulls":4},"The comic is crucial to every culture: mocking established values, transcending the boundaries of morals and proprieties, dodging the laws of accepted logic. Being based mainly on performance, it takes its natural place in festival, dance and play(-acting). This nature of the comic is expressed far more directly in images than in language. Already in the Corinthian black-figure vase-painting of the 7th century, comic images hold an important position. Detlev Wannagat analyses their typology and visual strategies, starting from the grotesquely shaped 'padded dancers', in which the original performative context of the festival and its alienation appears the most clearly. His close-up focus on these pictures - mostly neglected so far -, draws into clearer perspective the values which they alienate and mockingly transgress."]