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[null,"1.","Record Nr.",null,"UNINA9910480317003321"]
[null,null,"Autore",null,"Casanova Marengo Ilia"]
[null,null,"Titolo",null,"El intersticio de la colonia : Ruptura y mediación en la narrativa antiesclavista cubana / / Ilia Casanova Marengo"]
[null,null,"Pubbl/distr/stampa",null,"Frankfurt am Main : , : Vervuert Verlagsgesellschaft, , [2002]"]
[{"$nulls":4},"©2002"]
[null,null,"Descrizione fisica",null,"1 online resource (127 p.)"]
[null,null,"Collana",null,"Nexos y Diferencias. Estudios de la Cultura de América Latina ; ; 3"]
[null,null,"Disciplina",null,"863"]
[null,null,"Soggetti",null,"Cuban fiction - 19th century - History and criticism"]
[{"$nulls":4},"Antislavery movements in literature"]
[{"$nulls":4},"Slavery in literature"]
[{"$nulls":4},"Black people in literature"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Spagnolo"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Incluye referencias bibliográficas (páginas [113]-126)."]
[null,null,"Nota di contenuto",null,"Front matter -- ÍNDICE GENERAL -- AGRADECIMIENTOS -- INTRODUCCIÓN. ENTRE QUIEBRES Y MEDIACIONES: DESDE LA CONSTRUCCIÓN DEL \"TERCER ESPACIO\" EN LA NARRATIVA ANTIESCLAVISTA CUBANA -- CAPÍTULO I. EL CÍRCULO DELMONTINO: ORIGEN DE LA NARRATIVA ANTIESCLAVISTA -- CAPÍTULO II. ENTRE EL SILENCIO Y LA RUPTURA: LA ESCRITURA DE AUTOBIOGRAFÍA DE UN ESCLAVO -- CAPÍTULO III. SAB: EL COLOR MULATO DE LA CUBA COLONIAL -- CAPÍTULO IV. LAS SOMBRAS DEL LENGUAJE: EL MULATAJE LINGÜÍSTICO EN CECILIA VALDÉS -- EPÍLOGO. LAS FRACTURAS DEL ABOLICIONISMO CUBANO -- BIBLIOGRAFÍA"]
[null,null,null,"Sommario/riassunto","Plantea un acercamiento a la narrativa antiesclavista cubana como producto de diversos intereses de poder. Se estudian las obras \"Autobiografía de un esclavo\" de Manzano, \"Sab\" de Avellaneda y \"Cecilia Valdés\" de Villaverde."]
[null,"2.","Record Nr.",null,"UNINA9910785434103321"]
[null,null,"Autore",null,"McClure Michael"]
[null,null,"Titolo",null,"Of indigo and saffron [[electronic resource] ] : new and selected poems / / Michael McClure ; edited and with an introduction by Leslie Scalapino"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, Calif., : University of California Press, c2011"]
[null,null,"ISBN",null,"1-282-91785-4"]
[{"$nulls":4},"9786612917851"]
[{"$nulls":4},"0-520-94733-9"]
[null,null,"Descrizione fisica",null,"1 online resource (341 p.)"]
[null,null,"Collana",null,"Simpson imprint in humanities. Of indigo and saffron"]
[null,null,"Disciplina",null,"811/.54"]
[null,null,"Soggetti",null,"American poetry"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Preface -- Introduction: The instant is the giant lamp we throw / our shadows by -- From Hymns to St. Geryon, 1959 -- From A Fist Full, 1956-1957 -- From Dark Brown, 1961 -- From The New Book/A Book of Torture, 1961 -- From Little Odes, 1961 -- From Ghost Tantras, 1964 -- From Star, 1970 -- From Hail Thee Who Play, 1974 -- From September Blackberries, 1974 -- From Jaguar Skies, 1975 -- From Fragments of Perseus, 1983 -- From Rebel Lions, 1984 -- From Simple Eyes & Other Poems, 1993 -- stanzas From Dolphin Skull, 1995 -- From Rain Mirror, 1999 -- From Plum Stones: Cartoons of No Heaven, 2002 -- Credits -- Index of Titles and First Lines"]
[null,null,null,"Sommario/riassunto","This essential collection of Michael McClure's poetry contains the most original, radical, and visionary work of a major poet who has been garnering acclaim and generating controversy for more than fifty years. Ranging from A Fist Full, published in 1957, through Swirls in Asphalt, a new poem sequence, Of Indigo and Saffron is both an excellent introduction to this unique American voice and an impressive selection from McClure's landmark volumes for those already familiar with his boldly inventive work. One of the five poets who heralded the Beat movement in the 1955 Six Gallery reading in San Francisco, McClure reveals in his poetry a close kinship to Romanticism, Modernism, Surrealism, and Japanese haiku. These poems-grounded in imagination and a profound regard for the natural world-chart a poetic landscape "]
[{"$nulls":4},"of utter originality."]