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[null,"1.","Record Nr.",null,"UNINA9910477180703321"]
[null,null,"Autore",null,"Graham Stephen"]
[null,null,"Titolo",null,"Sounds of the underground : a cultural, political, and aesthetic mapping of underground and fringe music / / Stephen Graham"]
[null,null,"Pubbl/distr/stampa",null,"Ann Arbor : , : University of Michigan Press, , [2016]"]
[null,null,"ISBN",null,"0-472-12164-2"]
[null,null,"Descrizione fisica",null,"1 online resource (305 pages) : illustrations"]
[null,null,"Collana",null,"Tracking pop"]
[null,null,"Disciplina",null,"781.64"]
[null,null,"Soggetti",null,"Underground music - Social aspects"]
[{"$nulls":4},"Underground music - Political aspects"]
[{"$nulls":4},"Underground music - History and criticism"]
[{"$nulls":4},"Subculture"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages 269-289) and index."]
[null,null,"Nota di contenuto",null,"Intro -- Contents -- Preface -- Part I-What Is the Underground? -- 1. Introduction to the Underground and Its Fringes -- 2. The Music and Musicians -- 3. Global and Local Underground/Fringe Scenes -- Part II-The Political and Cultural Underground -- 4. Politics and Underground/Fringe Music -- 5. Cultural Policy and Underground/Fringe Music -- 6. Artists and Music, Improv and Noise -- 7. The Digital Economy and Labels -- 8. Festivals and Venues -- Part III-Listening to the Underground -- 9. Noise as Concept, History, and Scene -- 10. The Politics of Underground Music and Noise -- 11. The Sounds of Noise -- 12. Extreme Metal -- Conclusion -- List of Interviewees -- Notes -- Bibliography -- Index."]
[null,null,null,"Sommario/riassunto","In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from traditional high-art institutions. Until now there has been little scholarly discussion of underground music and its cultural, political, and aesthetic importance. In addition to providing a much-needed historical outline of this diverse scene, Stephen Graham focuses on the digital age, showing the underground and its fringes as based largely in radical anti-capitalist politics and aesthetics, tied to the political contexts and structures of late-capitalism. Sounds of the Underground explores these various ideas of separation and capture "]
[{"$nulls":4},"through interviews and analysis, developing a critical account of both the music and its political and cultural economy."]