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[null,"1.","Record Nr.",null,"UNINA9910477141803321"]
[null,null,"Autore",null,"Varkøy Øivind"]
[null,null,"Titolo",null,"Musikkfilosofiske tekster : Tanker om musikk - og språk, tolkning, erfaring, tid, klang, stillhet m.m / / Øivind Varkøy, Henrik Holm"]
[null,null,"Pubbl/distr/stampa",null,"Oslo : , : Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), , 2020"]
[null,null,"Descrizione fisica",null,"1 online resource (351 pages)"]
[null,null,"Disciplina",null,"780.1"]
[null,null,"Soggetti",null,"Musicology"]
[null,null,"Lingua di pubblicazione",null,"Norvegese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Innledning -- Kapittel 1: En økologisk musikkforståelse -- Kapittel 2: Kunstverkets nødvendighet -- Kapittel 3: Musikalsk-estetisk erfaring som tilsynekomsthendelse -- Kapittel 4: Den musikalske etik -- Kapittel 5: Den glatte musikken og muligheten for en erfaring -- Kapittel 6: Musikkfilosofiske tankekonstellasjoner om musikalsk mottakelighet og språk -- Kapittel 7: Musikk som kontrafaktisk meningsskaping -- Kapittel 8: Musikk som gestikk -- Kapittel 9: «I kjærligheten til det skjønne ... »: Om musikk og filosofi hos Platon -- Kapittel 10: La oss snakke om musikk: Wilhelm Heinrich Wackenroders og Ludwig Tiecks musikalske fantasier -- Kapittel 11: Om den psykologiske realiteten av langstrakt musikalsk form: Et musikkfilosofisk forsøk -- Kapittel 12: Tilbake til det neumiske: Fortolkning og dialektikk hos Adorno og Harnoncourt -- Kapittel 13: Musikkverkets eksistens: To lesninger av Roman Ingardens musikkfilosofi -- Kapittel 14: Klang - musikværkets tingsmæssige grund -- Kapittel 15: Nuets responsivitet - når det fremmede og det uperfekte setter premissen! Et filosofisk essay om musikalsk improvisasjon -- Kapittel 16: Det klingendes meningspotensial og dets slumrende klangbunn i lytteren: Utkast til en musikkinspirert livsanskuelse -- Kapittel 17: Fold over fold: Musikk og filosofi som transformativ praksis -- Kapittel 18: Stillheten er lydsinnets himmelhvelving -- AUTHOR BIOGRAPHIES."]
[null,null,null,"Sommario/riassunto","\"To pursue the philosophy of music is to contemplate music's nature, essence, purpose, value, and function in our lives. While the aesthetics of music looks at music's content, quality, meaning and importance, music philosophy often goes one step further. Ideas about something "]
[{"$nulls":4},"one perhaps believes is 'purely aesthetical' will of course always require consideration in relation to ideas about humanity, the world, politics and religion. In this sense, music aesthetics and music philosophy are two sides of the same coin. This is reflected in the texts presented in this collection, which provides a broad view of the current state of ideas about music in Norway. The authors, from PhD fellows to emeriti, represent different higher educational music institutions in Norway as well as different fields within music and philosophy. Their texts are on topics ranging from musical experience, music and language, meaning and interpretation of music, music and view of life, and others. The anthology's editors Øivind Varkøy and Henrik Holm are, respectively, professor of music education and director of the PhD program at the Norwegian Academy of Music and adjunct professor of music at Oslo Metropolitan University, and professor of philosophy and head of research at Rudolf Steiner University College in Oslo.\""]