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[null,"1.","Record Nr.",null,"UNINA9910485146303321"]
[null,null,"Autore",null,"Mallett Andrew"]
[null,null,"Titolo",null,"Red Hat Certified Engineer (RHCE) study guide : ansible automation for the Red Hat Enterprise Linux 8 Exam (EX294) / / Andrew Mallett"]
[null,null,"Pubbl/distr/stampa",null,"[Place of publication not identified] : , : Apress, , [2021]"]
[{"$nulls":4},"©2021"]
[null,null,"ISBN",null,"1-4842-6861-X"]
[null,null,"Edizione",null,"[1st ed. 2021.]"]
[null,null,"Descrizione fisica",null,"1 online resource (XVI, 227 p. 4 illus.)"]
[null,null,"Disciplina",null,"005.432"]
[null,null,"Soggetti",null,"Electronic data processing personnel - Certification"]
[{"$nulls":4},"Operating systems (Computers) - Examinations"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Chapter 1: Understanding Ansible and the Red Hat RHCE -- Chapter 2: Working with the Ansible Configuration -- Chapter 3: Creating an Ansible Inventory -- Chapter 4: Using ad hoc Commands and Ansible Preparation -- Chapter 5: Writing YAML and Basic Playbooks -- Chapter 6: Managing Users with Ansible Playbooks -- Chapter 7: Working with Variables and Facts -- Chapter 8: Working with Files and Templates -- Chapter 9: Managing Services Using Ansible -- Chapter 10: Securing Sensitive Data with Ansible Vault -- Chapter 11: Implementing a Full Apache Deployment -- Chapter 12: Simplifying Playbooks Using Roles -- Chapter 13: Downloading Roles -- Chapter 14: Configuring Storage with Ansible -- Chapter 15: Managing Scheduled Tasks with Ansible."]
[null,null,null,"Sommario/riassunto","Study the material in this book to prepare for the RHCE exam EX294 and to learn how using Ansible within your own environment improves system administration productivity. This book covers all of the objectives of the exam and extends further, ensuring that you know how to use Ansible to manage Linux. The book uses CentOS, a Red Hat-based distribution, and Ubuntu instead of using a single Red Hat distribution. By using the two distributions, you will understand the power of Ansible and how easily you can deal with multiple platforms, which is crucial for your understanding of Ansible in the real world. The book assumes no previous knowledge of Ansible but some knowledge of Linux system administration from the command line. You will learn how to manage Linux systems that are installed with different distributions, including CentOS Enterprise Linux 8 and Ubuntu 18.04. "]
[{"$nulls":4},"You will be able to manage these systems using ad hoc commands from the command line as well as creating Ansible playbooks that can be replayed reliably many times. To save on the code that you have to create, you will learn how to use Ansible Galaxy to search for and download roles and collections that are pre-written to manage elements of your Linux installations. By the end of this book, you will be able to write efficient and effective YAML playbooks to manage your entire estate. You will: Prepare systems so that password-less access can be used with Ansible remotely Use ad hoc commands to quickly configure systems Use and format YAML files correctly Create playbooks that grow in their complexity as your experience develops Ensure that services are restarted on configuration changes."]
[null,"2.","Record Nr.",null,"UNINA9910476895703321"]
[null,null,"Autore",null,"Eisenstein Sergei <1898-1948, >"]
[null,null,"Titolo",null,"Sergei M. Eisenstein : notes for a general history of cinema / / edited by Naum Kleiman & Antonio Somaini ; translations from Russian by Margo Shohl Rosen, Brinton Tench Coxe, and Natalie Ryabchikova"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam University Press"]
[{"$nulls":4},"Amsterdam : , : Amsterdam University Press, , [2016]"]
[{"$nulls":4},"©2016"]
[null,null,"Descrizione fisica",null,"1 online resource (545 pages) : illustrations (black and white); digital file(s)"]
[null,null,"Collana",null,"Film theory in media history"]
[null,null,"Disciplina",null,"791.430233092"]
[null,null,"Soggetti",null,"Motion pictures - History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Translated from the Russian."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Foreword / Naum Kleiman -- Cinema as \"dynamic mummification,\" history as montage : Einstein's media archaeology / Antonio Somaini -- Notes for a general history of cinema / Sergei M. Eisenstein -- What renders Daumier's art so cinematic for Eisenstein? / Ada Ackerman -- \"The heritage we renounce\" : Eisenstein in historio-graphy / François Albera -- The Notes for a general history of cinema and the dialectic of the Eistensteinian image / Luka Arsenjuk -- Act now!, or For an untimely Eistenstein / Nico Baumbach -- Pathos and praxis (Eisenstein versus Barthes) / Georges Didi-Huberman -- Eisenstein's absolutely wonderful, totally impossible project / Jane Gaines -- Dynamic typicality / Abe Geil -- Archaeology vs. paleontology : a note on Eisenstein's Notes for a general history of cinema / Vinzenz Hediger -- Point--pathos--totality / Mikhail Iampolski -- Distant echoes / Arun Khopkar -- \"Synthesis\" of the arts or \"friendly cooperation\" between the arts? : the general history of cinema according to Eistenstein / Pietro Montani -- Eisenstein's mummy complex : temporality, trauma, and a distinction in Eisenstein's Notes for a general history of cinema / Philip Rosen -- Sergei Eisenstein and the Soviet models for the study of cinema, 1920s-1940s / Masha Salazkina and Natalie Ryabchikova."]
[null,null,null,"Sommario/riassunto","An iconic figure in twentieth-century cinema, Sergei M. Eisenstein directed landmark films such as Battleship Potemkin and Ivan the Terrible and authored a vast body of theoretical texts. This is the first "]
[{"$nulls":4},"English-language edition of his recently rediscovered notes for a 'general history of cinema.' In these, Eisenstein presents a fascinating genealogy of the media and art forms that preceded the birth of cinema and accompanied its first decades. Cinema is presented as a medium in constant flux and as heir to an expansive tradition, ranging from Dionysian mysteries to death masks and mummies, from wax museums to dioramas and panoramas, pursuing a breathtaking trajectory 'from Dionysus to television.' Eisenstein's notes are accompanied by a series of previously unpublished critical essays by internationally recognized Eisenstein scholars."]