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[null,"1.","Record Nr.",null,"UNINA9910476843303321"]
[null,null,"Autore",null,"Retman Sonnet H. <1966->"]
[null,null,"Titolo",null,"Real folks [[electronic resource] ] : race and genre in the Great Depression / / Sonnet Retman"]
[null,null,"Pubbl/distr/stampa",null,"Durham, NC, : Duke University Press, 2011"]
[null,null,"ISBN",null,"1-283-30380-9"]
[{"$nulls":4},"9786613303806"]
[{"$nulls":4},"0-8223-9389-1"]
[null,null,"Descrizione fisica",null,"1 online resource (338 p.)"]
[null,null,"Disciplina",null,"810.9/0052"]
[null,null,"Soggetti",null,"American literature - 20th century - History and criticism"]
[{"$nulls":4},"Literature and folklore - United States - History - 20th century"]
[{"$nulls":4},"Folklore - United States - History - 20th century"]
[{"$nulls":4},"American literature - African American authors - History and criticism"]
[{"$nulls":4},"United States History 1933-1945"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based on print version record"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"\"A combination madhouse, burlesque show and Coney Island\" : the color question in George Schuyler's Black no more -- \"Inanimate hideosities\" : the burlesque of racial capitalism in Nathanael West's A cool million -- \"The last American frontier\" : mapping the folk in the Federal Writers' Project's Florida : a guide to the southernmost state -- \"Ah gives myself de privilege to go\" : navigating the field and the folk in Zora Neale Hurston's Mules and men -- \"Am I laughing\"? : burlesque incongruities of genre, gender, and audience in Preston Sturges's Sullivan's travels -- Afterpiece : the Coen brothers' Ol'-timey blues in O brother, where art thou?"]
[null,null,null,"Sommario/riassunto","Real Folks examines the construction of  the folk  in Depression-era U.S. politics and culture, as well as the hybrid forms of documentary and satire that critiqued the populist fixation on folk authenticity."]