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[null,"1.","Record Nr.",null,"UNINA9910476757703321"]
[null,null,"Titolo",null,"Romanticism and Time / / edited by Sophie Laniel-Musitelli, Céline Sabiron"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge, UK : , : Open Book Publishers, , 2021"]
[null,null,"Descrizione fisica",null,"1 online resource (xxii, 286 pages) : color illustrations"]
[null,null,"Disciplina",null,"821.808"]
[null,null,"Soggetti",null,"English poetry - 19th century"]
[{"$nulls":4},"Romanticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,"Nota di contenuto",null,"Intro -- Contents -- Acknowledgements -- Introduction: The Times of Romanticism -- Section I -- Restoration, Revival, and Revolution across Romantic Europe -- 1. Future Restoration -- 2. Anthropocene Temporalities and British Romantic Poetry -- 3. Beethoven: Revolutionary Transformations -- Section II -- Romantic Conceptions of Time -- 4. The Temporality of the Soul: Immanent Conceptions of Time in Wordsworth and Byron -- 5. 'Footing slow across a silent plain': Time and Walking in Keatsian Poetics -- Section III -- The Poetics of Time 6. Contracting Time: John Clare's The Shepherd's Calendar -- 7. Book-Time in Charles Lamb and Washington Irving -- 8. 'A disciple of Albertus Magnus ... in the eighteenth century': Anachronism and Anachrony in Frankenstein -- Section IV -- Persistence and Afterlives -- 9. Heaps of Time in Beckett and Shelley -- 10. 'Thy Wreck a Glory': Venice, Subjectivity, and Temporality in Byron and Shelley and the Post-Romantic Imagination -- Section V -- Romanticism and Periodisation -- Romanticism and Periodisation: A Roundtable -- List of Contributors -- List of Figures -- Index."]
[null,null,null,"Sommario/riassunto","'Eternity is in love with the productions of time'. This original edited volume takes William Blake's aphorism as a basis to explore how British Romantic literature creates its own sense of time. It considers Romantic poetry as embedded in and reflecting on the march of time, regarding it not merely as a reaction to the course of events between the late-eighteenth and mid-nineteenth centuries, but also as a form of creative engagement with history in the making."]
[null,"2.","Record Nr.",null,"UNISALENTO991000009529707536"]
[null,null,"Autore",null,"Rocca, Giancarlo"]
[null,null,"Titolo",null,"La sostanza dell'effimero : gli abiti degli Ordini religiosi in Occidente / catalogo a cura di Giancarlo Rocca"]
[null,null,"Pubbl/distr/stampa",null,"Roma : Edizioni Paoline, stampa 2000"]
[null,null,"Descrizione fisica",null,"646 p. : ill. ; 27 cm."]
[null,null,"Disciplina",null,"391.0088"]
[null,null,"Soggetti",null,"Ordini religiosi - Abiti"]
[{"$nulls":4},"Abbigliamento religioso - Esposizioni"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Catalogo della mostra tenuta a Castel Sant'Angelo, 18 gennaio-31 marzo 2000"]
[null,"3.","Record Nr.",null,"UNINA9910780048703321"]
[null,null,"Autore",null,"Zabusky Stacia E. <1959->"]
[null,null,"Titolo",null,"Launching Europe [[electronic resource] ] : an ethnography of European cooperation in space science / / Stacia E. Zabusky"]
[null,null,"Pubbl/distr/stampa",null,"Princeton, N.J., : Princeton University Press, c1995"]
[null,null,"ISBN",null,"1-4008-0889-8"]
[{"$nulls":4},"1-282-75216-2"]
[{"$nulls":4},"1-4008-2160-6"]
[{"$nulls":4},"9786612752162"]
[{"$nulls":4},"1-4008-1395-6"]
[null,null,"Edizione",null,"[Course Book]"]
[null,null,"Descrizione fisica",null,"1 online resource (276 p.)"]
[null,null,"Collana",null,"Princeton paperbacks"]
[null,null,"Disciplina",null,"629.4/094"]
[null,null,"Soggetti",null,"Astronautics - Europe - International cooperation"]
[{"$nulls":4},"Europe Ethnic relations"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [247]-257) and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Tables -- Preface -- Acknowledgments -- Abbreviations -- Introduction: Multiple Cooperations -- One. The Study of Cooperation: Theoretical Issues -- Two. The European Space Agency and the Structure of Cooperation -- Three. The Practice of Cooperation: Working Together on Space Science Missions -- Four. Struggling with Diversity: The Social and Cultural Dynamics of Working Together -- Five. Evasion and Responsibility: The Politics of Working Together -- Six. Existential Worries: Excitement and Boredom in the Experience of Working Together -- Seven. Working Together Transformed: The Production of Technology and Cooperation -- Epilogue: Sacred Cooperation and the Dreams of Modernity -- Notes -- References -- Index"]
[null,null,null,"Sommario/riassunto","In this first ethnographic study of the European Space Agency, Stacia Zabusky explores the complex processes involved in cooperation on space science missions in the contemporary context of European integration. Zabusky argues that the practice of cooperation does not depend on a homogenizing of interests in a bland unity. Instead, it consists of ongoing negotiation of and conflict over often irreconcilable differences. In this case, those differences are put into play by both technical and political divisions of labor (in particular, those of big science and of European integration). Zabusky shows how participants "]
[{"$nulls":4},"on space science missions make use of these differences, particularly those manifest in identities of work and of nationality, as they struggle together not only to produce space satellites but also to create European integration. She argues that the dialectical processes of production include and depend on conflict and contradiction to maintain energy and excitement and thus to be successful. Participants in these processes are not, however, working only to produce tangible success. In her epilogue, Zabusky argues that European space science missions can be interpreted as sacred journeys undertaken collectively, and that these journeys are part of a fundamental cultural project of modernity: the legitimation of and aspiration for purity. She suggests, finally, that this project characterizes not only the institution of technoscience but those of bureaucracy and nationalism as well."]