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[null,"1.","Record Nr.",null,"UNINA9910467197003321"]
[null,null,"Titolo",null,"The genres of Renaissance tragedy / edited by Daniel Cadman, Andrew Duxfield and Lisa Hopkins"]
[null,null,"Pubbl/distr/stampa",null,"Manchester : , : Manchester University Press, , 2019"]
[{"$nulls":4},"©2019"]
[null,null,"ISBN",null,"1-5261-3826-3"]
[null,null,"Descrizione fisica",null,"1 online resource (232 pages)"]
[null,null,"Disciplina",null,"822.051"]
[null,null,"Soggetti",null,"Literature"]
[{"$nulls":4},"English drama (Tragedy)"]
[{"$nulls":4},"English drama - Early modern and Elizabethan"]
[{"$nulls":4},"English drama (Tragedy) - History and criticism"]
[{"$nulls":4},"English drama - Early modern and Elizabethan, 1500-1600 - History and criticism"]
[{"$nulls":4},"Criticism, interpretation, etc."]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"De casibus tragedy: Marlowe's Tamburlaine the Great / Andrew Duxfield -- Biblical tragedy: George Peele's David and Bethsabe / Annaliese Connolly -- Closet tragedy: Fulke Greville's Mustapha / Daniel Cadman -- Tragedy of state: Macbeth / Alisa Manninen -- Domestic tragedy: Yarington 's Two Lamentable Tragedies / Lisa Hopkins and Gemma Leggott -- Roman tragedy: the case of Jonson's Sejanus / John E. Curran, Jr -- Satiric tragedy: The Revenger's Tragedy / Gabriel A. Rieger -- Revenge tragedy: Henry Chettle's The Tragedy of Hoffman / Derek Dunne -- 'Ha, O my horror!' Grotesque tragedy in John Webster's The White Devil / Paul Frazer -- She-tragedy: lust, luxury and empire in John Fletcher and Philip Massinger's The False One / Domenico Lavascio -- Ford's Perkin Warbeck as historical tragedy / Sarah Dewar-Watson -- Caroline tragedy: James Shirley's The Traitor / Jessica Dyson."]
[null,null,null,"Sommario/riassunto","This collection of newly commissioned essays explores the extraordinary versatility of Renaissance tragedy and shows how it enables exploration of issues ranging from gender to race to religious conflict, as well as providing us with some of the earliest dramatic "]
[{"$nulls":4},"representations of the lives of ordinary Englishmen and women. The book mixes perspectives from emerging scholars with those of established ones and offers the first systematic examination of the full range and versatility of Renaissance tragedy as a literary genre. It works by case study, so that each chapter offers not only a definition of a particular kind of Renaissance tragedy but also new research into a particularly noteworthy or influential example of that genre. Collectively the essays examine the work of a range of dramatists and offer a critical overview of Renaissance tragedy as a genre."]
[null,"2.","Record Nr.",null,"UNINA9910784617503321"]
[null,null,"Autore",null,"Ko Dorothy <1957->"]
[null,null,"Titolo",null,"Cinderella's sisters : a revisionist history of footbinding / / Dorothy Ko"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, Calif. : , : University of California Press, , 2005"]
[null,null,"ISBN",null,"1-282-36043-4"]
[{"$nulls":4},"9786612360435"]
[{"$nulls":4},"0-520-94140-3"]
[null,null,"Descrizione fisica",null,"1 online resource (383 pages) : illustrations, map"]
[null,null,"Disciplina",null,"391.4/13/0951"]
[null,null,"Soggetti",null,"Footbinding - China"]
[{"$nulls":4},"Foot - Social aspects"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"A Philip E. Lilienthal book\"--1st printed p."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 301-320) and index."]
[null,null,"Nota di contenuto",null,"Front matter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- NOTES ON CONVENTIONS -- DYNASTIES AND PERIODS -- ABBREVIATIONS -- INTRODUCTION -- 1. GIGANTIC HISTORIES OF THE NATION IN THE GLOBE -- 2. THE BODY INSIDE OUT -- 3. THE BOUND FOOT AS ANTIQUE -- 4. FROM ANCIENT TEXTS TO CURRENT CUSTOMS -- 5. THE EROTICS OF PLACE -- 6. CINDERELLA'S DREAMS -- EPILOGUE -- NOTES -- GLOSSARY -- WORKS CITED -- INDEX"]
[null,null,null,"Sommario/riassunto","The history of footbinding is full of contradictions and unexpected turns. The practice originated in the dance culture of China's medieval court and spread to gentry families, brothels, maid's quarters, and peasant households. Conventional views of footbinding as patriarchal oppression often neglect its complex history and the incentives of the women involved. This revisionist history, elegantly written and meticulously researched, presents a fascinating new picture of the practice from its beginnings in the tenth century to its demise in the twentieth century. Neither condemning nor defending foot-binding, Dorothy Ko debunks many myths and misconceptions about its origins, development, and eventual end, exploring in the process the entanglements of male power and female desires during the practice's thousand-year history. Cinderella's Sisters argues that rather than stemming from sexual perversion, men's desire for bound feet was connected to larger concerns such as cultural nostalgia, regional rivalries, and claims of male privilege. Nor were women hapless victims, the author contends. Ko describes how women-those who could afford "]
[{"$nulls":4},"it-bound their own and their daughters' feet to signal their high status and self-respect. Femininity, like the binding of feet, was associated with bodily labor and domestic work, and properly bound feet and beautifully made shoes both required exquisite skills and technical knowledge passed from generation to generation. Throughout her narrative, Ko deftly wields methods of social history, literary criticism, material culture studies, and the history of the body and fashion to illustrate how a practice that began as embodied lyricism-as a way to live as the poets imagined-ended up being an exercise in excess and folly."]