{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":4,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":68,"n_cols":5,"rows_kept":68,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[4,2,4,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[11,2,11,3],[12,2,12,3],[15,2,15,3],[15,4,15,5],[16,2,16,3],[16,4,16,5],[17,2,17,3],[18,2,18,3],[21,2,21,3],[22,2,22,3],[23,2,23,3],[27,2,27,3],[28,2,28,3],[31,2,31,3],[35,2,35,3],[35,4,35,5],[36,2,36,3],[36,4,36,5],[37,2,37,3],[37,4,37,5],[38,2,38,3],[39,2,39,3],[40,2,40,3],[41,2,41,3],[42,2,42,3],[43,2,43,3],[44,2,44,3],[46,2,46,3],[46,4,46,5],[47,2,47,3],[47,4,47,5],[48,2,48,3],[48,4,48,5],[49,2,49,3],[51,2,51,3],[52,2,52,3],[53,2,53,3],[54,2,54,3],[55,2,55,3],[60,2,60,3],[61,2,61,3],[64,2,64,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910466028403321"]
[null,null,"Titolo",null,"Finding common ground : consensus in research ethics across the social sciences / / edited by Ron Iphofen"]
[null,null,"Pubbl/distr/stampa",null,"Bingley, England : , : Emerald, , 2017"]
[{"$nulls":4},"©2017"]
[null,null,"ISBN",null,"1-78714-309-0"]
[{"$nulls":4},"1-78714-130-6"]
[null,null,"Descrizione fisica",null,"1 online resource (301 pages) : illustrations, tables"]
[null,null,"Collana",null,"Advances in Research Ethics and Integrity, , 2398-6018 ; ; Volume 1"]
[null,null,"Disciplina",null,"174.9301"]
[null,null,"Soggetti",null,"Social sciences and ethics"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references at the end of each chapters and index."]
[null,"2.","Record Nr.",null,"UNINA9910511680903321"]
[null,null,"Titolo",null,"Portraiture in South Asia since the Mughals : art, representation and history / / edited by Crispin Branfoot"]
[null,null,"Pubbl/distr/stampa",null,"London : , : Bloomsbury Publishing, , 2019"]
[null,null,"ISBN",null,"1-350-98757-3"]
[{"$nulls":4},"1-83860-896-6"]
[{"$nulls":4},"1-83860-897-4"]
[null,null,"Descrizione fisica",null,"1 online resource (270 pages)"]
[null,null,"Disciplina",null,"759.954"]
[null,null,"Soggetti",null,"Islamic art - South Asia"]
[{"$nulls":4},"Painting, Mogul Empire - History"]
[{"$nulls":4},"Painting, Mogul Empire - Influence"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Multimedia"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front Cover -- Title Page -- Copyright -- Contents -- List of Illustrations -- Acknowledgements -- Note on Transliteration and Conventions -- List of Contributors -- Introduction Portraiture in South Asia -- What is a Portrait in South Asia? -- Court Portraiture in Mughal India -- Portraying the Ideal Rajput -- What were Portraits for? -- Colonial Modernity and Court Portraiture in South Asia -- 1. Portrait or Image? Some Literary and Terminological Perspectives on Portraiture in Early India -- The Prevalence of Portraiture in Early India -- Literary Testimonies and Vocabulary -- Narratives of the Origins of Portraits and Images -- 2. Tracing the Rise of Mughal Portraiture: The Kabul Corpus, c. 1545-55 -- Introducing the Kabul Corpus (c. 1545-55) -- Individual Portraits -- Portraits within Larger Compositions -- The Paintings' Raison d'etre: Presentation Pieces for the Nawroz Festival? -- Approved Likenesses and Master Drawings -- The Timurid-Safavid Legacy -- Conclusion -- 3. Jahangir as Publius Scipio Maior: The Commensurability of Mughal Political Portraiture -- The European Connection -- The Standing Portrait -- Jahangir as the Queller of Rebellion -- Archduke Matthias as Publius Scipio Maior -- The Standing Portrait before a Landscape under Shah Jahan -- Jahangir and Archduke Matthias in Political Crisis -- Commensurability or Incommensurability? -- 4. Portraits in the Mirror: Living Images in Nāṣir 'Alī Sirhindī and "]
[{"$nulls":4},"Mīrzā 'Abd al-Qādir Bīdil -- Nāṣir 'Alī Sirhindī's Naqqāsh u ṣūrat -- The Story of Bīdil's Portrait -- Conclusion -- 5. Becoming the Hero: Metamorphosis of the Raja -- 6. The Prevalence of Portraiture in the Development of the Devgarh Style -- 7. Heroic Rulers and Devoted Servants: Performing Kingship in the Tamil Temple -- Performing Devotion on Venkatam Hill -- Dynastic Genealogies on Display in Nayaka Madurai."]
[{"$nulls":4},"Portraiture and Pilgrimage to Rameshvaram -- New Royalty and Temple Portraiture in Colonial Madras Presidency -- Conclusion -- 8. Village Portraits in William Fraser's Portfolio of Native Drawings -- The Road to Delhi -- A Gentlemen Settler for Delhi -- Shaping Boundaries, Mapping Figures -- Delineating the Immeasurable: Rania and Pastoral Portraiture -- Capturing a Likeness -- Empiricism of the Heart -- The Delhi Artist between Court and Company -- 9. The Role of Portraiture in Pakistani Contemporary Miniature Painting: The 'Mughal Connection' -- Chance -- Artists -- Bibliography."]
[null,null,null,"Sommario/riassunto","\"One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early seventeenth century of portraits of identifiable individuals, unprecedented in both South Asia and the Islamic world. Appearing at a time of increasing contact between Europe and Asia, portraits from the reigns of the great Mughal emperor-patrons Akbar, Jahangir and Shah Jahan are among the best-known paintings produced in South Asia. In the following centuries portraiture became more widespread in the visual culture of South Asia, especially in the rich and varied traditions of painting, but also in sculpture and later prints and photography. This collection seeks to understand the intended purpose of a range of portrait traditions in South Asia and how their style, setting and representation may have advanced a range of aesthetic, social and political functions. The chapters range across a wide historical period, exploring ideals of portraiture in Sanskrit and Persian literature, the emergence and political symbolism of Mughal portraiture, through to the paintings of the Rajput courts, sculpture in Tamil temples and the transformation of portraiture in colonial north India and post-independence Pakistan. This specially commissioned collection of studies from a strong list of established scholars and rising stars makes a significant contribution to South Asian history, art and visual culture.\"--Bloomsbury Publishing."]
[null,"3.","Record Nr.",null,"UNISALENTO991003892949707536"]
[null,null,"Autore",null,"Origenes"]
[null,null,"Titolo",null,"Omelie sui Giudici / Origene ; [nella versione latina di Rufino] ; traduzione, introduzione e note a cura di Maria Ignazia Danieli"]
[null,null,"Pubbl/distr/stampa",null,"Roma : Città Nuova, c1992"]
[null,null,"ISBN",null,"883113101X"]
[null,null,"Descrizione fisica",null,"172 p. ; 21 cm."]
[null,null,"Collana",null,"Collana di testi patristici ; 101"]
[null,null,"Disciplina",null,"222.32"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"4.","Record Nr.",null,"UNINA9910815760203321"]
[null,null,"Autore",null,"Nissen Christopher"]
[null,null,"Titolo",null,"Kissing the wild woman : art, beauty, and the reformation of the Italian prose romance in Giulia Bigolina's Urania / / Christopher Nissen"]
[null,null,"Pubbl/distr/stampa",null,"Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2011"]
[{"$nulls":4},"©2011"]
[null,null,"ISBN",null,"1-4426-9602-8"]
[null,null,"Descrizione fisica",null,"1 online resource (342 p.)"]
[null,null,"Collana",null,"Toronto Italian studies Kissing the wild woman"]
[null,null,"Disciplina",null,"853/.4"]
[null,null,"Soggetti",null,"Painting in literature"]
[{"$nulls":4},"Aesthetics in literature"]
[{"$nulls":4},"Beauty, Personal, in literature"]
[{"$nulls":4},"Electronic books."]
[{"$nulls":4},"Italy Civilization 1559-1789"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"1 The Reformation of the Prose Romance ; Bigolina's Cultural Formation ; Elements of the Prose Romance ; The Plot and Characters of Urania ; The Prose Romance According to Boccaccio ; Urania in Its Literary Context ; Bigolina's Defense of Women -- 2 Writing a Portrait ; Bigolina and Aretino ; Portraiture in Urania ; The Caricature of Titian ; Of Mirrors, Istoria and Women in the Arts -- 3 Ekphrasis and the Paragone ; Ekphrasis in Western Literature ; Bigolina and the Paragone ; The Judgment of Paris ; Descriptio Mulieris ; Bigolina's Two Venuses ; The Book as Object -- 4 The Sight of the Beautiful ; Beauty and the Senses in Urania ; Sight in the Doctrines of Love ; The Body, the Gaze, and the Arts ; The Woman's Portrait as Gift -- 5 Kissing the Wild Woman ; Wildness in Urania ; Urania's (Nearly) Mad Flight ; Femina Salvatica ; The Game of the Senses."]
[null,null,null,"Sommario/riassunto","Demonstrating that Bigolina challenged cultural authority by rejecting the prevailing views of both painting and literature, Nissen discusses Bigolina's suggestion that painting constituted an ineffectual, even immoral mode of self-promotion for women in relation to the views of the contemporary writer Pietro Aretino and the painter Titian. Kissing the Wild Woman's analysis of this little-known work adds a new dimension to the study of Renaissance aesthetics in relation to art "]
[{"$nulls":4},"history, Renaissance thought, women's studies, and Italian literature.\"--Pub. desc."]
[{"$nulls":4},"\"Giulia Bigolina's (ca. 1516-ca. 1569) Urania (ca. 1552) is the oldest known prose romance to have been written by an Italian woman. In Kissing the Wild Woman, Christopher Nissen explores the unique aesthetic vision and innovative narrative features of Bigolina's greatest surviving work, in which she fashioned a new type of narrative that combined elements of the romance and the novella and included a polemical treatise on the moral implications of portraiture and the role of women in the arts."]