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[null,"1.","Record Nr.",null,"UNINA9910455641303321"]
[null,null,"Autore",null,"Low Gail Ching-Liang <1960, >"]
[null,null,"Titolo",null,"White skins/Black masks : representation and colonialism / / Gail Ching-Liang Low"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York : , : Routledge, , 1996"]
[null,null,"ISBN",null,"0-415-08148-3"]
[{"$nulls":4},"1-134-89247-0"]
[{"$nulls":4},"1-280-02094-6"]
[{"$nulls":4},"0-203-35960-7"]
[null,null,"Descrizione fisica",null,"xi, 299 p. : ill"]
[null,null,"Disciplina",null,"823/.809355"]
[null,null,"Soggetti",null,"Human body in literature"]
[{"$nulls":4},"Clothing and dress in literature"]
[{"$nulls":4},"Colonies in literature"]
[{"$nulls":4},"Cultural relations in literature"]
[{"$nulls":4},"English fiction - 19th century - History and criticism"]
[{"$nulls":4},"Imperialism in literature"]
[{"$nulls":4},"Literature and anthropology - Great Britain - Colonies - History - 19th century"]
[{"$nulls":4},"Travelers' writings, English - History and criticism"]
[{"$nulls":4},"Electronic books."]
[{"$nulls":4},"South Africa In literature"]
[{"$nulls":4},"India In literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"part Part I -- chapter 1 BODY/BORDER LINES -- chapter 2 THE DOMINION OF SONS -- chapter 3 MIMESIS OF SAVAGERY -- chapter TRANSITIONS -- part Part II -- chapter 4 THE COLONIAL UNCANNY -- chapter 5 THE CITY OF DREADFUL NIGHT -- chapter 6 THE COLONIAL MIRROR -- chapter 7 LOAFERS AND STORY-TELLERS -- chapter CONCLUSION."]
[null,"2.","Record Nr.",null,"UNINA9910465923003321"]
[null,null,"Autore",null,"Wills John <1971->"]
[null,null,"Titolo",null,"Disney culture / / John Wills"]
[null,null,"Pubbl/distr/stampa",null,"New Brunswick, New Jersey : , : Rutgers University Press, , 2017"]
[{"$nulls":4},"©2017"]
[null,null,"ISBN",null,"0-8135-8333-0"]
[{"$nulls":4},"0-8135-8334-9"]
[null,null,"Descrizione fisica",null,"1 online resource (168 pages)"]
[null,null,"Collana",null,"Quick takes: Movies and Popular Culture"]
[null,null,"Disciplina",null,"384/.80979494"]
[null,null,"Soggetti",null,"Corporate culture"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based on print version record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Introduction -- 1. Making Disney Magic -- 2. The World According To Disney -- 3. Disney Dollars -- 4. Disney Values -- Acknowledgments -- Further Reading -- Works Cited -- Index -- About The Author"]
[null,null,null,"Sommario/riassunto","Over the past century, Disney has grown from a small American animation studio into a multipronged global media giant. Today, the company's annual revenue exceeds the GDP of over 100 countries, and its portfolio has grown to include Pixar, Marvel, Lucasfilm, ABC, and ESPN. With a company so diversified, is it still possible to identify a coherent Disney vision or message? Disney Culture proposes that there is still a unifying Disney ethos, one that can be traced back to the corporate philosophy that Walt Disney himself developed back in the 1920's. Yet, as cultural historian John Wills demonstrates, Disney's values have also adapted to changing social climates. At the same time, the world of Disney has profoundly shaped how Americans view the world. Wills offers a nuanced take on the corporate ideologies running through animated and live-action Disney movies from Frozen to Fantasia, from Mary Poppins to Star Wars: The Force Awakens. But Disney Culture encompasses much more than just movies as it explores the intersections between Disney's business practices and its cultural mythmaking.  Welcome to \"the Disney Way.\""]