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[null,"1.","Record Nr.",null,"UNINA990004894860403321"]
[null,null,"Autore",null,"Irving, Washington <1783-1859>"]
[null,null,"Titolo",null,"Selected prose / Washington Irving ; edited with an introduction by Stanley T. Williams"]
[null,null,"Pubbl/distr/stampa",null,"New York ; Toronto : Rinehart, 1950"]
[null,null,"Descrizione fisica",null,"XXIV, 423 p. ; 19 cm"]
[null,null,"Collana",null,"Rinehart editions ; 41"]
[null,null,"Locazione",null,"FLFBC"]
[null,null,"Collocazione",null,"P.3 A1(366)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910465829103321"]
[null,null,"Autore",null,"Scott Derek B"]
[null,null,"Titolo",null,"From the erotic to the demonic [[electronic resource] ] : on critical musicology / / Derek B. Scott"]
[null,null,"Pubbl/distr/stampa",null,"Oxford ; ; New York, : Oxford University Press, 2003"]
[null,null,"ISBN",null,"9786610532438"]
[{"$nulls":4},"0-19-534377-8"]
[{"$nulls":4},"1-280-53243-2"]
[{"$nulls":4},"1-4337-0009-3"]
[{"$nulls":4},"1-4237-6306-8"]
[{"$nulls":4},"0-19-515196-8"]
[null,null,"Descrizione fisica",null,"1 online resource (258 p.) : ill"]
[null,null,"Disciplina",null,"780"]
[null,null,"Soggetti",null,"Music - Social aspects"]
[{"$nulls":4},"Music - Philosophy and aesthetics"]
[{"$nulls":4},"Style, Musical"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Intro -- CONTENTS -- INTRODUCTION -- PART ONE: SEXUALITY, GENDER, AND MUSICAL STYLE -- 1 Erotic Representation from Monteverdi to Mae West -- 2 The Sexual Politics of Victorian Musical Aesthetics -- PART TWO: IDEOLOGY AND THE POPULAR -- 3 The Native American in Popular Music -- 4 Incongruity and Predictability in British Dance Band Music of the 1920s and 1930s -- PART THREE: THE SACRED AND THE PROFANE -- 5 Lux in Tenebris: Bruckner and the Dialectic of Darkness and Light -- 6 Diabolus in Musica: Liszt and the Demonic -- PART FOUR: IDEOLOGY AND CULTURAL OTHERNESS -- 7 Orientalism and Musical Style -- 8 The Impact of African-American Music Making on the European Classical Tradition in the 1920s -- Notes -- Index."]
[null,null,null,"Sommario/riassunto","This text should prove useful as a model for musicologists who want to take a postmodern approach to their inquiries. It demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity."]