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[null,"1.","Record Nr.",null,"UNINA9910465597103321"]
[null,null,"Autore",null,"Craig Maxine Leeds"]
[null,null,"Titolo",null,"Ain't I a beauty queen? [[electronic resource] ] : black women, beauty, and the politics of race / / Maxine Leeds Craig"]
[null,null,"Pubbl/distr/stampa",null,"Oxford ; ; New York, : Oxford University Press, 2002"]
[null,null,"ISBN",null,"0-19-988167-7"]
[{"$nulls":4},"1-60256-671-2"]
[{"$nulls":4},"1-280-65529-1"]
[{"$nulls":4},"0-19-515262-X"]
[{"$nulls":4},"0-19-803255-2"]
[null,null,"Descrizione fisica",null,"1 online resource (209 p.)"]
[null,null,"Disciplina",null,"305.48/896/073"]
[null,null,"Soggetti",null,"Beauty contests - Social aspects - United States"]
[{"$nulls":4},"African American women - Social conditions"]
[{"$nulls":4},"African Americans - Race identity"]
[{"$nulls":4},"Feminine beauty (Aesthetics) - United States"]
[{"$nulls":4},"Civil rights movements - United States"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [187]-193) and index."]
[null,null,"Nota di contenuto",null,"CONTENTS; ONE: Ridicule and Celebration: Black Women as Symbols in the Rearticulation of Race; TWO: Contexts for the Emergence of \"Black Is Beautiful,\"\"; THREE: Ain't I a Beauty Queen? Representing the Ideal Black Woman; FOUR: Standing (in Heels) for My People; FIVE: How Black Became Popular: Social Movements and Racial Rearticulation; SIX: Yvonne's Wig: Gender and the Racialized Body; SEVEN: Pride and Shame: Black Women as Symbols of the \"Middle Class,\"; EIGHT: The Appearance of Unity; NINE: An Ongoing Dialogue; NOTES; SELECTED BIBLIOGRAPHY; INDEX;"]
[null,null,null,"Sommario/riassunto","Black is Beautiful! The words were the exuberant rallying cry of a generation of black women who threw away their straightening combs and adopted a proud new style they called the Afro. The Afro, as worn most famously by Angela Davis, became a veritable icon of the Sixties. Although the new beauty standards seemed to arise overnight, they actually had deep roots within black communities. Tracing her story to 1891, when a black newspaper launched a contest to find the most "]
[{"$nulls":4},"beautiful woman of the race, Maxine Leeds Craig documents how black women have negotiated the intersection of race, class,"]