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[null,"1.","Record Nr.",null,"UNINA9910465361003321"]
[null,null,"Autore",null,"Hillman Richard <1949->"]
[null,null,"Titolo",null,"French origins of English tragedy [[electronic resource] /] / Richard Hillman"]
[null,null,"Pubbl/distr/stampa",null,"Manchester ; ; New York, : Manchester University Press, : Distributed in the United States by Palgrave Macmillan, c2010"]
[null,null,"ISBN",null,"1-78170-004-4"]
[{"$nulls":4},"1-84779-309-6"]
[null,null,"Descrizione fisica",null,"1 online resource (129 p.)"]
[null,null,"Disciplina",null,"822.05120903"]
[null,null,"Soggetti",null,"English drama - Early modern and Elizabethan, 1500-1600 - History and criticism"]
[{"$nulls":4},"English drama - 17th century - History and criticism"]
[{"$nulls":4},"English drama (Tragedy) - History and criticism"]
[{"$nulls":4},"English drama (Tragedy) - French influences"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [97]-104) and index."]
[null,null,"Nota di contenuto",null,"Contents; Acknowledgements; Textual note; 1 Introduction; 2 On the generic cusp:Richard II, La Guisiade and the invention of tragic heroes; 3 Out of their classical depth:from pathos to bathos in early English tragedy;  or, the comedy of terrors; 4 Staging the Judith jinx: heads or tales?; Works cited; Index"]
[null,null,null,"Sommario/riassunto","Richard Hillman applies to tragic patterns and practices in early modern England his long-standing critical preoccupation with English-French cultural connections in the period. With primary, though not exclusive, reference on the English side to Shakespeare and Marlowe, and on the French side to a wide range of dramatic and non-dramatic material, he focuses on distinctive elements that emerge within the English tragedy of the 1590's and early 1600's. These include the self-destructive tragic hero, the apparatus of neo-Senecanism (including the Machiavellian villain) and the confrontation betwee"]