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[null,"1.","Record Nr.",null,"UNINA9910465304103321"]
[null,null,"Autore",null,"Wilke Gerhard <1948->"]
[null,null,"Titolo",null,"The art of group analysis in organisations : the use of intuitive and experiential knowledge / / by Gerhard Wilke"]
[null,null,"Pubbl/distr/stampa",null,"Boca Raton, FL : , : Routledge, an imprint of Taylor and Francis, , [2018]"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"0-429-90589-0"]
[{"$nulls":4},"0-429-48112-8"]
[{"$nulls":4},"1-78241-147-X"]
[null,null,"Descrizione fisica",null,"1 online resource (257 p.)"]
[null,null,"Collana",null,"New International Library of Group Analysis"]
[null,null,"Disciplina",null,"616.89152"]
[null,null,"Soggetti",null,"Group psychoanalysis"]
[{"$nulls":4},"Organizational change"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"COVER; CONTENTS; ABOUT THE AUTHOR; NEW INTERNATIONAL LIBRARY OF GROUP ANALYSISFOREWORD; Introduction; PART I EXPERIENTIAL AND INTUITIVE KNOWLEDGE; CHAPTER ONE Group analysis in organisations: what it takes; PART II THE GROUP DYNAMICS OF TOP-DOWN CHANGE; Introduction; CHAPTER TWO Oedipal and sibling dynamics in changing organisations; CHAPTER THREE Power and play: a story of denigration and idealisation; PART III THE USE AND NATURE OF THE LARGE ANALYTIC GROUPS; Introduction; CHAPTER FOUR The large analytic group and its conductor; PART IV SUPPORT AND DEVELOPMENT FOR HEALTH PROFESSIONALS"]
[{"$nulls":4},"IntroductionCHAPTER FIVE Beyond Balint: working with general practitioners; CHAPTER SIX \"Patrix\" and matrix: a generative pairing; PART V RETHINKING ORGANISATIONAL LEADERSHIP AND DEVELOPMENT; Introduction; CHAPTER SEVEN Leaders and groups in traumatising organisations; CHAPTER EIGHT A paradigm shift in organisational development; PART VI ENDING; CHAPTER NINE Conclusion: dealing with permanent transition; REFERENCES; INDEX"]
[null,null,null,"Sommario/riassunto","Leaders, teams and organisational consultants are faced with a situation of permanent transitions. The current world of organisations is full of beginnings and incomplete endings. The author assumes that the endless re-structuring of living networks of relationships in "]
[{"$nulls":4},"organisations generates, over time, post-traumatic stress disorder in individuals, groups and the whole system. The book deals with the paradox that continuity is the most important factor in change and that leadership alone solves very little. Even the most heroic figure flounders without the help of the various groups in the organisation, which make things work. The author reflects on his practice of developing teams, professionals and organisations with an approach rooted in group analysis and social anthropology. The dominant way of looking at performance, motivation and leadership focuses on individuals and fails to take into account how we work together, how we fail to co-operate and how inter-dependent we are."]
[null,"2.","Record Nr.",null,"UNINA9910495726203321"]
[null,null,"Autore",null,"Leleu Jean-Louis"]
[null,null,"Titolo",null,"La construction de l'idée musicale : Essais sur Webern, Debussy et Boulez / Jean-Louis Leleu"]
[null,null,"Pubbl/distr/stampa",null,"Genève, : Éditions Contrechamps, 2017"]
[null,null,"ISBN",null,"2-940599-55-6"]
[null,null,"Descrizione fisica",null,"1 online resource (671 p.)"]
[null,null,"Soggetti",null,"Music"]
[{"$nulls":4},"musique"]
[{"$nulls":4},"analyse musicale"]
[{"$nulls":4},"composition"]
[{"$nulls":4},"musicologie"]
[{"$nulls":4},"esthétique"]
[{"$nulls":4},"XXème siècle"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Dans les études formant ce recueil, résultat de nombreuses années de recherche, Jean-Louis Leleu fait apparaître les logiques intrinsèques des langages musicaux du xxe siècle affranchis de la référence tonale. Il le fait à travers un travail d'analyse méticuleux, fondé sur l'analyse du texte musical. Mais en s'appuyant sur la notion d'idée musicale avancée par Schoenberg et sur les travaux de George Perle, auquel il rend hommage en ouverture, il indique combien l'approche du matériau et des techniques d'écriture reste pour lui soumise à la réalité sonore dans ses articulations rhétoriques et formelles, ainsi qu'aux intentions musicales des compositeurs et à leur poétique.  La première partie, « Exposition », est en quelque sorte le « discours de la méthode » : elle donne des repères théoriques, s'attachant par ailleurs à saisir la logique singulière du langage musical de Bartók et à interroger l'approche de Debussy réalisée par le musicologue germanique Ernst Kurth. Dans les « Développements » qui suivent, Jean-Louis Leleu aborde les trois univers de Debussy, Webern et Boulez, qui représentent trois repères essentiels tout au long du xxe siècle. Il fait apparaître chez ces trois auteurs les mécanismes de pensée qui débouchent sur des "]
[{"$nulls":4},"organisations cohérentes. Celles-ci, ainsi révélées, éclairent le sens des œuvres. Les critères esthétiques sont ainsi dégagés de manière objective à partir de la réalité musicale elle-même.  Ces différentes études, fragments d'un grand œuvre théorique in progress, constituent par leur précision et leur pénétration une des approche les plus rigoureuse et les plus profonde de la musique du xxe siècle."]