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[null,"1.","Record Nr.",null,"UNINA9910465135303321"]
[null,null,"Autore",null,"Krumhansl Carol L"]
[null,null,"Titolo",null,"Cognitive foundations of musical pitch [[electronic resource] /] / Carol L. Krumhansl"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Oxford University Press, 1990"]
[null,null,"ISBN",null,"0-19-514836-3"]
[{"$nulls":4},"1-4237-3872-1"]
[{"$nulls":4},"1-280-48178-1"]
[{"$nulls":4},"0-19-802215-8"]
[{"$nulls":4},"9786610481781"]
[null,null,"Descrizione fisica",null,"1 online resource (318 p.)"]
[null,null,"Collana",null,"Oxford psychology series ; ; no. 17"]
[null,null,"Disciplina",null,"781/.11"]
[null,null,"Soggetti",null,"Music - Psychological aspects"]
[{"$nulls":4},"Musical pitch"]
[{"$nulls":4},"Cognitive psychology"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and indexes."]
[null,null,"Nota di contenuto",null,"Contents; 1. OBJECTIVES AND METHODS; The approach of cognitive psychology; The plan of the research; Outline of the following chapters; 2. QUANTIFYING TONAL HIERARCHIES AND KEY DISTANCES; The tonal hierarchy; The first probe tone study: individual differences with a major-key context; Replication and extension to minor-key contexts; A derived measure of interkey distance; A spatial representation of interkey distance; Theoretical maps of key relationships; 3. MUSICAL CORRELATES OF PERCEIVED TONAL HIERARCHIES; Tonal consonance; Tonal consonance and tonal hierarchies"]
[{"$nulls":4},"Statistical analyses of tonal compositions Tonal distributions and tonal hierarchies; Tonal hierarchies, tonal consonance, and tonal distributions; 4. A KEY-FINDING ALGORITHM BASED ON TONAL HIERARCHIES; The key-finding algorithm; Application I: initial segments of preludes of J. S. Bach, Shostakovich, and Chopin; Application II: fugue subjects of J. S. Bach and Shostakovich; Application III: J. S. Bach's C Minor Prelude, Book II; Limitations and possible extensions of the algorithm; 5. PERCEIVED RELATIONS BETWEEN MUSICAL TONES; Geometric representations of musical pitch"]
[{"$nulls":4},"Limitations of geometric models Experimental measures of tonal "]
[{"$nulls":4},"relations; Correlations with tonal consonance and tonal distributions; 6. PERCEPTUAL ORGANIZATION AND PITCH MEMORY; Gestalt theory; Three principles of tonal stability; Perceptual organization in music: Segmentation and melodic similarity; 7. QUANTIFYING HARMONIC HIERARCHIES AND KEY DISTANCES; Music-theoretical descriptions of harmony; Quantifying the harmonic hierarchy; Harmonic hierarchy of diatonic triads I-VII; Deriving key distances from harmonic hierarchies; 8. PERCEIVED HARMONIC RELATIONS"]
[{"$nulls":4},"Perceived harmonic relations and key structure Perceived harmonic relations of diatonic triads I-VII; Key context effects on perceived harmonic relations; Key structure and memory for chord sequences; Key context effects on memory for chord sequences; Relational effects on memory for chord sequences; Parallels between perceived tonal and harmonic structures; 9. PERCEIVING MULTIPLE KEYS: MODULATION AND POLYTONALITY; Tracing the developing and changing sense of key; Tonal hierarchies and polytonality; 10. TONAL HIERARCHIES IN ATONAL AND NON-WESTERN TONAL MUSIC"]
[{"$nulls":4},"Tonal hierarchies in 12-tone serial music Tonal hierarchies in North Indian music; Tonal hierarchies in Balinese music; Tonal hierarchies: some generalizations; 11. MUSIC COGNITION: THEORETICAL AND EMPIRICAL GENERALIZATIONS; Properties of the diatonic-harmonic system; Properties of pentatonic, octatonic, and North Indian scales; Properties emerging from the empirical studies; References; Author index; Subject index;"]
[null,null,null,"Sommario/riassunto","This book addresses the central problem of music cognition: how listeners' responses move beyond mere registration of auditory events to include the organization, interpretation, and remembrance of these events in terms of their function in a musical context of pitch and rhythm. Equally important, the work offers an analysis of the relationship between the psychological organization of music and its internal structure. Combining over a decade of original research on music cognition with an overview of the available literature, the work will be of interest to cognitive and physiological psychol"]
[null,"2.","Record Nr.",null,"UNISA996439753203316"]
[null,null,"Autore",null,"Williams Timothy, 1987- author"]
[null,null,"Titolo",null,"The complexity of evil : perpetration and genocide / / Timothy Williams"]
[null,null,"Pubbl/distr/stampa",null,"New Brunswick : , : Rutgers University Press, , [2020]"]
[null,null,"ISBN",null,"1-9788-1433-X"]
[null,null,"Descrizione fisica",null,"1 online resource (ix, 266 pages : illustrations )"]
[null,null,"Collana",null,"Genocide, political violence, human rights"]
[null,null,"Disciplina",null,"304.6/63"]
[null,null,"Soggetti",null,"Genocide"]
[{"$nulls":4},"Mass murder"]
[{"$nulls":4},"Violence"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- List of Abbreviations -- The Complexity of Evil -- Introduction -- Vignette I Chandara: -- Chapter 1 The Complexity of Evil -- Vignette II Sokong: -- Chapter 2 Motivations -- Vignette III Sokphary: -- Chapter 3 Facilitative Factors -- Vignette IV Sopheak: An Interrogator Searching to Unearth Enemy Strings -- Chapter 4 Contextual Conditions -- Vignette V Sokha: -- Chapter 5 Diversity, Complexity, Scope -- Vignette VI Ramy: -- Introduction -- Conclusion -- Appendix: List of Interviewees -- Acknowledgments -- Glossary -- Notes -- References -- Index"]
[null,null,null,"Sommario/riassunto","\"Why do people participate in genocide? The Complexity of Evil responds to this fundamental question by drawing on political science, sociology, criminology, anthropology, social psychology, and history to develop a model which can explain perpetration across various different cases. Focusing in particular on the Holocaust, the 1994 genocide against the Tutsi in Rwanda, and the Khmer Rouge genocide in Cambodia, The Complexity of Evil model draws on, systematically sorts, and causally orders a wealth of scholarly literature and supplements it with original field research data from interviews with former members of the Khmer Rouge. The model is systematic and abstract, as well as empirically grounded, providing a tool for understanding the micro-foundations of various cases of genocide. Ultimately this model highlights that the motivations for perpetrating genocide are both complex in their diversity and banal in their ordinariness and mundanity\"-- Provided by publisher."]