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[null,"1.","Record Nr.",null,"UNINA9910464939603321"]
[null,null,"Autore",null,"Freeman John <1959->"]
[null,null,"Titolo",null,"Blood, sweat & theory / / John Freeman ; Helen Taylor, cover design"]
[null,null,"Pubbl/distr/stampa",null,"[Libri Publishing] : , : [Faringdon, England], , 2009"]
[{"$nulls":4},"©2009"]
[null,null,"ISBN",null,"1-907471-84-7"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (337 p.)"]
[null,null,"Collana",null,"Music + Performing Arts"]
[null,null,"Disciplina",null,"PN1576"]
[null,null,"Soggetti",null,"Performing arts - Research"]
[{"$nulls":4},"Experimental theater"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover; Copyright; Acknowledgements; Contents; Preface; Abstracts of Case Studies; Section 1: Ineffability;  Illustration and the Intentional Action Model; Case Study: Returning to Haifa: Using Pre-text Based Drama to Understand Self and Other; Section 2: Paradigms and Trojan Horses; Case Study: Towards Collaborativity in Theatre-making: Reflections on an Artistic Research Case; Section 3: Origins of the PhD and the Current Educational Climate; Case Study: The Smell of It: Case Study of Curious's Live Art Performance On the Scent"]
[{"$nulls":4},"Section 4: Certainties and Institutional Bias: Research for, into and through Practice Research Criteria and Creative Intelligence; Case Study: The Relationship between University Theatre and Professional Theatre: A Question of Method; Section 5: Basic, Applied and Experimental Research;  10 Questions; Case Study: That Spot in the 'Moving Picture' is You: Perception in Time-based Art; Section 6: Feelings and Findings;  Research Design, Research Prerequisites and Creative Processes; Case Study: Bleeding Narratives; Section 7: Methodologies;  Thesis Statements;  Fallibilism;  PhD Outcomes"]
[{"$nulls":4},"Performance StudiesCase Study: A Mono-trilogy on a Collaborative Process in the Performing Arts; Section 8: Practice as Research as the Dominant Orthodoxy;  the Nature of Evidence; Case Study: Performing with Trees: Landscape and Artistic Research; Section 9: Heuristic Research;  Autoethnography;  Immediacy and Self-Reflexivity; Case Study: Un-telling Myself: Performance (Preparation) as Research; Section 10: Truth and Doubt;  Epistemology and Ontology;  Thesis "]
[{"$nulls":4},"Demands; Case Study: In Tränen unendlicher Lust: An Artistic Inquiry into an Innovating Audiovisual Lied Project"]
[{"$nulls":4},"Section 11: At the Crossroads of Research Cultures Type A, B and C Research; Case Study: Partly Cloudy, Chance of Rain; Section 12: Mode 1 and Mode 2 Research;  Dissemination;  Professional Doctorates;  Qualitative Issues; Case Study: Corpo, Carne e Espírito: Musical Visuality of the Body; Section 13: Theory and Theories;  Thesis Proposals and Thesis Development;  Explicit, Delayed Completion, Assembled and Inferred Knowledge;  the Perspective from Research Students;  Hockney's Secret Knowledge;  25 Questions; Bibliography; Index"]
[null,null,null,"Sommario/riassunto","As a major contribution to the field of postgraduate activity in drama, theater, and performance, this resource identifies the essential characteristics of practice-based research across a range of countries, contexts, forms, and applications. A vital theory-based guide to such study, topics include locating practice-based research within historical, aesthetic, and educational settings; challenging received ideas of dramatic practice as thesis; distinguishing research from reflection and feelings from findings; and pushing practice-based re"]