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[null,"1.","Record Nr.",null,"UNINA9910464774803321"]
[null,null,"Autore",null,"Branigan Edward <1945->"]
[null,null,"Titolo",null,"Point of view in the cinema : a theory of narration and subjectivity in classical film / / Edward Branigan ; foreword by David Bordwell"]
[null,null,"Pubbl/distr/stampa",null,"Berlin ; ; New York : , : Mouton, , [1984]"]
[{"$nulls":4},"©1984"]
[null,null,"ISBN",null,"3-11-081759-4"]
[null,null,"Edizione",null,"[Reprint 2010]"]
[null,null,"Descrizione fisica",null,"1 online resource (262 p.)"]
[null,null,"Collana",null,"Approaches to Semiotics [AS] ; ; 66"]
[null,null,"Disciplina",null,"791.43/01"]
[null,null,"Soggetti",null,"Motion picture plays - History and criticism"]
[{"$nulls":4},"Motion pictures - Philosophy"]
[{"$nulls":4},"Point of view (Literature)"]
[{"$nulls":4},"Subjectivity in motion pictures"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographies and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Chapter 1 The Problem of Point of View -- Chapter 2 Film as System -- Chapter 3 Narration -- Chapter 4 Subjectivity -- Chapter 5 The Point-of-view Shot -- Chapter 6 Character Reflection and Projection -- Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will on Film -- Chapter 8 Metatheory -- Appendix Orthodox Theories of Narration -- Suggested Further Reading -- Index -- Backmatter"]
[null,null,null,"Sommario/riassunto","Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to \"naturalize\" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration."]