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[null,"1.","Record Nr.",null,"UNINA9910464509503321"]
[null,null,"Autore",null,"Wilkie Andrew"]
[null,null,"Titolo",null,"Axis of deceit : the extraordinary story of an Australian whistleblower / / Andrew Wilkie"]
[null,null,"Pubbl/distr/stampa",null,"Melbourne, Victoria : , : Black Inc., , 2004"]
[{"$nulls":4},"©2010"]
[null,null,"ISBN",null,"1-921825-69-3"]
[null,null,"Descrizione fisica",null,"1 online resource (244 p.)"]
[null,null,"Disciplina",null,"956.704431"]
[null,null,"Soggetti",null,"Iraq War, 2003-2011 - Causes"]
[{"$nulls":4},"Whistle blowing - Australia"]
[{"$nulls":4},"Intelligence officers - Australia"]
[{"$nulls":4},"Intelligence service - Australia"]
[{"$nulls":4},"Electronic books."]
[{"$nulls":4},"Australia Politics and government 21st century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"COVER PAGE; TITLE PAGE; COPYRIGHT PAGE; DEDICATION; CONTENTS; PREFACE; INTRODUCTION; TAKING A STAND; LIFE ON THE INSIDE; THE WORLD OF INTELLIGENCE; AN UNNECESSARY WAR; THE BIG LIE; BLAME GAME; PUBLIC DISSERVICE; INTELLIGENCE FAILURES; SILENCING DISSENT; EPILOGUE; APPENDIX: PUBLISHING AXIS OF DECEIT; GLOSSARY; NOTES"]
[null,null,null,"Sommario/riassunto","In the 2010 federal election, independent candidate Andrew Wilkie grabbed headlines after winning the seat of Denison, and with it a key role in deciding who would form the next government of Australia. Before he was a politician, however, Wilkie was Australia's most talked-about whistleblower.In March 2003, Wilkie resigned from Australia's peak intelligence agency in protest over the looming war in Iraq. He was the only serving intelligence officer from the 'coalition of the willing' - the US, the UK and Australia - to do so, and his dramatic move was reported throughout the world.Wilkie's ac"]
[null,"2.","Record Nr.",null,"UNINA9910791261103321"]
[null,null,"Autore",null,"Mills Brett"]
[null,null,"Titolo",null,"The sitcom / / Brett Mills [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Edinburgh : , : Edinburgh University Press, , 2009"]
[null,null,"ISBN",null,"1-4744-7103-X"]
[{"$nulls":4},"0-7486-7122-6"]
[{"$nulls":4},"1-282-62032-0"]
[{"$nulls":4},"9786612620324"]
[{"$nulls":4},"0-7486-3753-2"]
[null,null,"Descrizione fisica",null,"1 online resource (vi, 182 pages) : digital, PDF file(s)"]
[null,null,"Collana",null,"TV genres"]
[null,null,"Disciplina",null,"791.45617"]
[null,null,"Soggetti",null,"Situation comedies (Television programs) - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 02 Oct 2015)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 151-171) and index."]
[null,null,"Nota di contenuto",null,"1. Introduction -- 2. Genre -- 3. Industry -- 4. Programmes -- 5. Audiences -- 6. The future."]
[null,null,null,"Sommario/riassunto","Even though sitcom has been a consistent staple of broadcasting the world over, rigorous academic work on it as a genre remains limited. This book examines sitcom as an industry in terms of production, audiences and texts, drawing on a range of examples and case studies in order to examine the genre's characteristics, social position, and pleasures. In highlighting this long-lasting and popular form of television, it offers insights into genre theory and explores how the comic aim of sitcom forms a central characteristic of the genre. Brett Mills takes a global view of sitcom, examining international examples as well as those produced by the more dominant British and American broadcasting industries, in order to explore the relationships between sitcom, nation, and identity. Sitcoms considered include Extras, My Family, Curb Your Enthusiasm, One Foot in the Grave, Peep Show, Summer Heights High, Popetown, and Friends. Key Features  *Draws on original research into the television industry, incorporating interviews with sitcom writers, directors and producers  *Includes research on audience responses to sitcom, with reference to offence, pleasure, and social change  *Offers detailed textual analyses of a range of programmes, drawing on Humour Theory to explore the ways in which jokes and comic moments work  *Outlines the future for sitcom, considering new media developments and the changing relationships "]
[{"$nulls":4},"between broadcasters and audiences."]