{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":19,"n_cols":5,"rows_kept":19,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[11,2,11,3],[12,2,12,3],[15,2,15,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910464377203321"]
[null,null,"Autore",null,"Becker Robin <1951->"]
[null,null,"Titolo",null,"Domain of perfect affection / / Robin Becker"]
[null,null,"Pubbl/distr/stampa",null,"Pittsburgh, Pennsylvania : , : University of Pittsburgh Press, , [2006]"]
[{"$nulls":4},"©2006"]
[null,null,"ISBN",null,"0-8229-9115-2"]
[null,null,"Descrizione fisica",null,"1 online resource (89 p.)"]
[null,null,"Collana",null,"Pitt poetry series"]
[null,null,"Disciplina",null,"811/.54"]
[null,null,"Soggetti",null,"Poetry"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"\"\"Contents\"\"; \"\"Part I\"\"; \"\"The New Egypt\"\"; \"\"Holy Card\"\"; \"\"Intersex\"\"; \"\"The Poconos\"\"; \"\"Manifest Destinies\"\"; \"\"August\"\"; \"\"Man of the Year\"\"; \"\"Against Pleasure\"\"; \"\"A Pasture of My Palm\"\"; \"\"Sound View\"\"; \"\"Salon\"\"; \"\"Lament of the Mangle\"\"; \"\"The Drawer\"\"; \"\"The Dome Fire\"\"; \"\"The Architect of Happiness\"\"; \"\"After the Snowstorm, the Bay\"\"; \"\"Borderline\"\"; \"\"Part II\"\"; \"\"Angel Supporting St. Sebastian\"\"; \"\"Soot and Spit\"\"; \"\"Qualities Boys Like Best in Girls\"\"; \"\"Simple Dark\"\"; \"\"Orienteer: The Childhood Drawings of William Steeple Davis, 1884â€?1961\"\"; \"\"Subject / Matter\"\""]
[{"$nulls":4},"\"\"The Miniaturists\"\"\"\"Great Sleeps I Have Known\"\"; \"\"Summerâ€?s Tale\"\"; \"\"The Dogs of Santorini\"\"; \"\"Head of an Old Man\"\"; \"\"Description\"\"; \"\"Part III\"\"; \"\"Rain\"\"; \"\"Mah-Jongg Fantasia\"\"; \"\"Mail Order\"\"; \"\"Now\"\"; \"\"Old Dog\"\"; \"\"Island of Daily Life\"\"; \"\"Head of an Angel\"\"; \"\"Cohort\"\"; \"\"The Outside Agitator\"\"; \"\"Autumn Measure\"\"; \"\"Lodging\"\"; \"\"Late Butch-Femme\"\"; \"\"Birds of Prey\"\"; \"\"OK, Tucker\"\"; \"\"On Friendship\"\"; \"\"With Two Camels and One Donkey\"\"; \"\"The Wild Heart\"\"; \"\"Notes\"\"; \"\"Acknowledgments\"\""]
[null,null,null,"Sommario/riassunto","In Domain of Perfect Affection, Robin Becker explores the conditions under which we experience and resist pleasure: in beauty salon, summer camp, beach, backyard, or museum; New York or New Mexico. \"The Mosaic injunction against / the graven image\" inspires meditations on drawings by Dürer, Evans, Klee, Marin, and del Sarto. To the consolations of art and human intimacy, Becker brings playfulness-\"Worry stole the kayaks and soured the milk\"-suffused with self-knowledge: \"Worry wraps her long legs / around me, promises to be "]
[{"$nulls":4},"mine forever.\" In \"The New Egypt,\" the narrator mines her family's leg"]