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[null,"1.","Record Nr.",null,"UNINA9910464352303321"]
[null,null,"Autore",null,"Albright Ann Cooper"]
[null,null,"Titolo",null,"Engaging bodies : the politics and poetics of corporeality / / Ann Cooper Albright"]
[null,null,"Pubbl/distr/stampa",null,"Middletown, Connecticut : , : Wesleyan University Press, , [2013]"]
[{"$nulls":4},"©2013"]
[null,null,"ISBN",null,"0-8195-7412-0"]
[null,null,"Descrizione fisica",null,"1 online resource (409 p.)"]
[null,null,"Disciplina",null,"792.8"]
[null,null,"Soggetti",null,"Dance criticism"]
[{"$nulls":4},"Dance - History"]
[{"$nulls":4},"Dance - Study and teaching"]
[{"$nulls":4},"Dance - Social aspects"]
[{"$nulls":4},"Human body - Social aspects"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover; Engaging Bodies; Title; Copyright; Dedication; Contents; Preface; Introduction: Situated Dancing; I PERFORMANCE WRITINGS; 1 Pooh Kaye and Eccentric Motions; 2 Johanna Boyce; 3 Improvisations by Simone Forti and Pooh Kaye; 4 Song of Lawino; 5 Joseph Holmes, Sizzle and Heat; 6 Performing across Identity; 7 In Dialogue with Firebird; 8 Dancing Bodies and the Stories They Tell; 9 Embodying History: The New Epic Dance; 10 Desire and Control: Performing Bodies in the Age of AIDS; II FEMINIST THEORIES; 11 Mining the Dancefield: Spectacle, Moving Subjects, and Feminist Theory"]
[{"$nulls":4},"12 Writing the Moving Body: Nancy Stark Smith and the Hieroglyphs13 Auto-Body Stories: Blondell Cummings and Autobiography in Dance; 14 Femininity with a Vengeance: Strategies of Veiling and Unveiling in Loïe Fuller's Performances of Salomé; III DANCING HISTORIES; 15 The Long Afternoon of a Faun: Reconstructions and Discourses of Desire; 16 Embodying History: Epic Narrative and Cultural Identity in African-American Dance; 17 Matters of Tact: Writing History from the Inside Out; 18 The Tanagra Effect: Wrapping the Modern Body in the Folds of Ancient Greece; IV CONTACT IMPROVISATION"]
[{"$nulls":4},"19 A Particular History: Contact Improvisation at Oberlin College20 Open Bodies: (X)changes of Identity in Capoeira and Contact "]
[{"$nulls":4},"Improvisation; 21 Present Tense: Contact Improvisation at Twenty-five; 22 Feeling In and Out: Contact Improvisation and the Politics of Empathy; V PEDAGOGY; 23 Dancing across Difference: Experience and Identity in the Classroom; 24 Channeling the Other: An Embodied Approach to Teaching across Cultures; 25 Training Bodies to Matter; VI OCCASIONAL PIECES; 26 The Mesh in the Mess; 27 Through Yours to Mine and Back Again: Reflections on Bodies in Motion"]
[{"$nulls":4},"28 Physical Mindfulness29 Researching Bodies: The Politics and Poetics of Corporeality; 30 Strategic Abilities: Negotiating the Disabled Body in Dance; 31 Dancing in and out of Africa; 32 Rates of Exchange; 33 Moving Contexts: Dance and Difference in the Twenty-first Century; 34 Three Beginnings and a Manifesto; 35 Improvisation as Radical Politics; 36 Space and Subjectivity; 37 Strategic Practices; 38 Resurrecting the Future: Body/Image/Technology; 39 Falling; 40 The Tensions of Technē: On Heidegger and Screendance; 41 Falling; Afterword; Acknowledgments; Index; ABOUT THE AUTHOR"]
[null,null,null,"Sommario/riassunto","Critical and performative writings from a well-known dance scholar"]