{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":20,"n_cols":5,"rows_kept":20,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[12,2,12,3],[13,2,13,3],[18,2,18,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910464274503321"]
[null,null,"Autore",null,"Baker Aaron"]
[null,null,"Titolo",null,"Steven Soderbergh [[electronic resource] /] / Aaron Baker"]
[null,null,"Pubbl/distr/stampa",null,"Urbana, : University of Illinois Press, c2011"]
[null,null,"ISBN",null,"1-283-06389-1"]
[{"$nulls":4},"9786613063892"]
[{"$nulls":4},"0-252-09301-1"]
[null,null,"Descrizione fisica",null,"1 online resource (151 p.)"]
[null,null,"Collana",null,"Contemporary film directors"]
[null,null,"Disciplina",null,"791.4302/33092"]
[null,null,"Soggetti",null,"Motion picture producers and directors"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[{"$nulls":4},"Includes filmography."]
[null,null,"Nota di contenuto",null,"Relational independence. Remade by Steven Soderbergh : The underneath, Traffic, Ocean's eleven, Solaris -- Star actors: Julia Roberts, Michael Douglas, George Clooney -- Cinema of outsiders : alienation and crime -- Critical violence and Out of sight -- Words as weapons : The limey and Ocean's eleven -- Independent form. Experiments in digital video : Full frontal, K Street, Bubble -- Class conflict in high definition : Che and The girlfriend experience -- Music and authorship in Ocean's eleven and The limey -- Interviews with Steven Soderbergh."]
[null,null,null,"Sommario/riassunto","Aaron Baker charts the common thematic and formal patterns present across Steven Soderbergh's oeuvre. Including detailed analyses of major films as well as two interviews with the director, this book illustrates Soderbergh's hybrid flexibility in bringing an independent aesthetic to wide audiences."]