{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":22,"n_cols":5,"rows_kept":22,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[15,2,15,3],[16,2,16,3],[20,2,20,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910464234103321"]
[null,null,"Autore",null,"Gemünden Gerd <1959->"]
[null,null,"Titolo",null,"Continental strangers : German exile cinema, 1933-1951 / / Gerd Gemünden"]
[null,null,"Pubbl/distr/stampa",null,"New York : , : Columbia University Press, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"0-231-53652-6"]
[null,null,"Edizione",null,"[Pilot project. eBook available to selected US libraries only]"]
[null,null,"Descrizione fisica",null,"1 online resource (297 p.)"]
[null,null,"Collana",null,"Film and Culture"]
[null,null,"Disciplina",null,"791.43097309/044"]
[null,null,"Soggetti",null,"Political refugees - Germany - History - 20th century"]
[{"$nulls":4},"Motion pictures - United States - History - 20th century"]
[{"$nulls":4},"Motion pictures - United States - Foreign influences"]
[{"$nulls":4},"Motion picture producers and directors - Great Britain"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front matter -- CONTENTS -- Acknowledgments -- INTRODUCTION -- Part One. PARALLEL MODERNITIES -- Part Two. HITLER IN HOLLYWOOD -- Part Three. YOU CAN'T GO HOME AGAIN -- Notes -- Selected Bibliography -- Index -- Backmatter"]
[null,null,null,"Sommario/riassunto","Hundreds of German-speaking film professionals took refuge in Hollywood during the 1930's and 1940's, making a lasting contribution to American cinema. Hailing from Austria, Hungary, Poland, Russia, and the Ukraine, as well as Germany, and including Ernst Lubitsch, Fred Zinnemann, Billy Wilder, and Fritz Lang, these multicultural, multilingual writers and directors betrayed distinct cultural sensibilities in their art. Gerd Gemünden focuses on Edgar G. Ulmer's The Black Cat (1934), William Dieterle's The Life of Emile Zola (1937), Ernst Lubitsch's To Be or Not to Be (1942), Bertolt Brecht and Fritz Lang's Hangmen Also Die (1943), Fred Zinnemann's Act of Violence (1948), and Peter Lorre's Der Verlorene (1951), engaging with issues of realism, auteurism, and genre while tracing the relationship between film and history, Hollywood politics and censorship, and exile and (re)migration."]