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[null,"1.","Record Nr.",null,"UNINA9910464168003321"]
[null,null,"Autore",null,"Sierz Aleks"]
[null,null,"Titolo",null,"Modern British Playwriting [[electronic resource] ] : Voices, Documents, New Interpretations"]
[null,null,"Pubbl/distr/stampa",null,"London, : Bloomsbury Publishing, 2014"]
[null,null,"ISBN",null,"1-4081-2928-0"]
[null,null,"Descrizione fisica",null,"1 online resource (288 p.)"]
[null,null,"Collana",null,"Decades of Modern British Playwriting"]
[null,null,"Disciplina",null,"822.91409"]
[null,null,"Soggetti",null,"English drama - History and criticism - 20th century"]
[{"$nulls":4},"English"]
[{"$nulls":4},"Languages & Literatures"]
[{"$nulls":4},"English Literature"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Cover; Contents; General Preface; Acknowledgements; Introduction: Living in the 1990s; Background; Everyday life; Education; Media; Culture; Science, technology and industry; Politics; 1 Theatre in the 1990s; Background; Heritage, culture and the Arts Council; Flagship theatres: West End, National and RSC; Off-West End and companies; New writing; Experimental, fringe and live art; Outside London: England, Scotland, Wales and Northern Ireland; Conclusion; 2 Playwrights and Plays; Philip Ridley; Introduction; The Pitchfork Disney; The Fastest Clock in the Universe; Ghost from a Perfect Place"]
[{"$nulls":4},"ConclusionSarah Kane; Introduction; Blasted; Cleansed; 4.48 Psychosis; Conclusion; Anthony Neilson; Introduction; Normal; Penetrator; The Censor; Conclusion; Mark Ravenhill; Introduction; Shopping and Fucking; Some Explicit Polaroids; Mother Clap's Molly House; Conclusion; 3 Documents; Philip Ridley: Vesper - a Monologue; Sarah Kane: Interview with Dan Rebellato; Anthony Neilson: In His Own Words; Mark Ravenhill: 'A Tear in the Fabric'; Afterword; Notes; Select Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z; Notes on Contributors"]
[null,null,null,"Sommario/riassunto","British theatre of the 1990s witnessed an explosion of new talent and presented a new sensibility that sent shockwaves through audiences and critics. What produced this change, the context from which the work emerged, the main playwrights and plays, and the influence they "]
[{"$nulls":4},"had on later work are freshly evaluated in this important new study in Methuen Drama''s Decades of Modern British Playwriting series.  The 1990s volume provides a detailed study by four scholars of the work of four of the major playwrights who emerged and had a significant impact on British theatre: Sarah Kane (by Catherine R"]