{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":19,"n_cols":5,"rows_kept":19,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[12,2,12,3],[13,2,13,3],[17,2,17,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910464110203321"]
[null,null,"Autore",null,"Pethő Ágnes"]
[null,null,"Titolo",null,"Cinema and intermediality [[electronic resource] ] : the passion for the in-between / / by Ágnes Pethő"]
[null,null,"Pubbl/distr/stampa",null,"Newcastle upon Tyne, : Cambridge Scholars, 2011"]
[null,null,"ISBN",null,"1-283-14288-0"]
[{"$nulls":4},"9786613142887"]
[{"$nulls":4},"1-4438-3034-8"]
[null,null,"Descrizione fisica",null,"1 online resource (440 p.)"]
[null,null,"Disciplina",null,"791.43"]
[null,null,"Soggetti",null,"Motion pictures - History"]
[{"$nulls":4},"Intermediality"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [417]-432)."]
[null,null,"Nota di contenuto",null,"TABLE OF CONTENTS; INTRODUCTION; CINEMA IN-BETWEEN MEDIA; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; THE INTERMEDIAL DEMON OF THE CINEMATIC IMAGE; CHAPTER FOUR; CINEMA AS \"THE CURRENCY\" OF THE ABSOLUTE; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; RE-MEDIATING THE REAL; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; BIBLIOGRAPHY"]
[null,null,null,"Sommario/riassunto","Otherin the last two decades \"intermediality\" has emerged as one of the most challenging concepts in media theory Other no shortage of various taxonomies and definitions. What prompted the writing of the essays gathered in this volume, however, was not a desire for more classifications applied to the world of moving pictures, but a strong urge to investigate what the \"inter-\" implied by the idea of \"intermediality\" stands for, and what it actually entails in the cinema. The book offers in each ..."]