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[null,"1.","Record Nr.",null,"UNISA990001199780203316"]
[null,null,"Autore",null,"GULVANESSIAN, H."]
[null,null,"Titolo",null,"Designers' guide to EN 1990 : basis of structural design / H. Gulvanessian, J. A. Calgaro and M. Holicky"]
[null,null,"Pubbl/distr/stampa",null,"London : T. Telford, copyr. 2002"]
[null,null,"ISBN",null,"0-7277-3011-8"]
[null,null,"Descrizione fisica",null,"XII, 192 p. ; 30 cm"]
[null,null,"Collana",null,"Designers' guide to the eurocodes"]
[null,null,"Disciplina",null,"624.1771"]
[null,null,"Soggetti",null,"Progettazione strutturale - Norme europee"]
[null,null,"Collocazione",null,"624.1771 GUL (A)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910463977103321"]
[null,null,"Titolo",null,"Loci sacri : understanding sacred places / / T. Coomans [and four others], eds"]
[null,null,"Pubbl/distr/stampa",null,"Leuven, Belgium : , : Leuven University Press, , [2012]"]
[{"$nulls":4},"©2012"]
[null,null,"ISBN",null,"94-6166-105-3"]
[null,null,"Descrizione fisica",null,"1 online resource (283 p.)"]
[null,null,"Collana",null,"KADOC-Studies on Religion, Culture and Society ; ; 9"]
[null,null,"Disciplina",null,"230"]
[null,null,"Soggetti",null,"Sacred space"]
[{"$nulls":4},"Shrines"]
[{"$nulls":4},"Religious facilities"]
[{"$nulls":4},"Christianity"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages [256]-280)."]
[null,null,"Nota di contenuto",null,"Loci Sacri - Understanding Sacred Places; Editorial Board; Contents; Introduction; Acknowledgements; Spirituality and Scholarship -  Sacred Acts and Sacred Spaces; What Makes a Monastery a Sacred Place?; An Analogical Concept; Monastic Sacred Places; Monastic Sacred Places Today; Types; Introduction; The Scandal of Particularity - Meaning, Incarnation, and Sacred Places; Strongly and Weakly Incarnated Meanings; Religious Meaning and Symbols: Sacred Places; Modern and Postmodern Attitudes"]
[{"$nulls":4},"(Sacred) Places are Made of Time - Observations on the Persistence of the Sacred in Categorizing Space in ModernityThe House of God? - The Conceptualization of Sacred Places in the Hebrew Bible and Beyond; Conceptualizing Sacred Places; 'House of God' in the Hebrew Bible: Affirmation and Questioning; 'House of God' in the Hebrew Bible: Historical Development; Conceptualizations of the Temple after the Hebrew Bible; Sites; Introduction; Devotion and Devotions; Experience Versus Doctrine; Coda; The Need and the Search for Sacred Places - A Sociological Perspective"]
[{"$nulls":4},"Religious Buildings and their Induced RepresentationsAn Aesthetic Resource; A Medium for History; Supports for Memory; Identity Markers; Landmarks, Milestones and Indicators of Centrality; An Economic Resource as Tourist Product; Religious Buildings and their "]
[{"$nulls":4},"Current Uses; Secular Uses; Places for Spirituality; Reflexivity; Secondarity; Spirituality; Conclusion; Capturing Nameless Energies, Experiencing Matrixial Paradoxes - Syncretist Sacred Sites on the Canary Islands; 'Spiky' Tree (+ Parasite Tree) + Source, Natural Stone + Supernatural Imprint: The Virgen Del Pino (Our Lady of the Pine)"]
[{"$nulls":4},"Rock + Water, Dark Natural Matter + Shining Supernatural Image: The Virgen De La Peña (Our Lady of the Cliff)Fire + Snow, Peak + Abyss: The Virgen De Los Volcanes (Our Lady of the Volcanos) / Virgen De Las Nieves (Our Lady of the Snow); Blackness + Light, Rising from Beneath: The Virgen De Candelaria (Our Lady of Candelmas); Syncretism and the Expression of Matrixial Experiences; Conclusions; No Places of Pilgrimage without Devotion(s); John of the Cross Discussing places for Devotion; Devotion according to Catholic Tradition; John of the cross on Statues of Saints"]
[{"$nulls":4},"1000 Years of places of Pilgrimage in the Netherlands, 1000 Years of Devotion and DevotionsContemporary Pilgrims; The Contemporary place of Pilgrimage as a place for Devotion; Representing Sacred Space - Pilgrimage and Literature; Literature of Pilgrimage; Pilgrimage in Literature; Literary Pilgrimage; Afterword; Purported Sacrality - The Ambiguous past and Ironic Present of a Sometimes Sacred Mesoamerican Archaeological-Tourist Site; Monte Albán, Oaxaca: Pre-Columbian Zapotec Capital and Purportedly Sacred Site; Monte Albán's Pre-Columbian History: A Not-Particularly Sacred Site"]
[{"$nulls":4},"Monte Albán's Post-Contact and Colonial-Era History: An Obscure Sacred Site"]
[null,null,null,"Sommario/riassunto","Sacred places have long exercised a special fascination. Sacred places are not static entities but reveal a historical dynamic. They are the result of cultural developments and have varied multidimensional levels of significance. They are places where time is, as it were, suspended, and they are points where holy times and holy places meet. Sacred places are places apart. It is this specificity in the context of the Christian religions of the West that 'Loci sacri' wishes to unveil by bringing together specialists from various disciplines, countries, and Christian denominations. One of the questions is why some sites have for centuries proven to be so popular while others have not. Another topic is the way in which extraordinary natural sites have been designated as sacred and given new meaning, primarily by means of architecture. \"Loci sacri\" also explores the 'eternal' character of this sacred status."]
[null,"3.","Record Nr.",null,"UNINA9910794378103321"]
[null,null,"Autore",null,"Rizzo Gianluca"]
[null,null,"Titolo",null,"Poetry on stage : the theatre of the Italian neo-avant-garde / / Gianluca Rizzo"]
[null,null,"Pubbl/distr/stampa",null,"Toronto, Ontario ; ; Buffalo ; ; London : , : University of Toronto Press, , [2020]"]
[{"$nulls":4},"©2020"]
[null,null,"ISBN",null,"1-4875-3463-9"]
[{"$nulls":4},"1-4875-3461-2"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"Toronto Italian Studies"]
[null,null,"Classificazione",null,"cci1icc"]
[null,null,"Disciplina",null,"852.9140911"]
[null,null,"Soggetti",null,"Experimental drama, Italian - History and criticism"]
[{"$nulls":4},"Criticism, interpretation, etc."]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover -- Copyright -- Contents -- Acknowledgments -- Note on Terminology -- Introduction -- 1 Why the Theatre? The Role of the Stage in the Theoretical Debate Surrounding the Poetry and Poetics of the Neo-Avant-Garde -- 1.1 A Bitter aperitivo -- 1.2 A Knot of Theoretical and Practical Issues -- 1.3 Contemporary Press Coverage -- 1.4 Poetry and the Stage -- 1.5 The Example of Pagliarani -- 1.6 Sanguineti and the Theatre of the Neoavanguardia -- 1.7 A \"Manifesto minimo\" for a Teatro dei Novissimi -- 1.8 Il Verri's inchiesta \"Sul teatro\" -- 2 The Italian Stage in the 1960s -- 2.1 Carmelo Bene"]
[{"$nulls":4},"2.2 Mario Ricci -- 2.3 Carlo Quartucci -- 2.4 Giuliano Scabia -- 2.5 After 1965 -- 2.6 The Evolution of Quartucci's and Scabia's Theatre -- 2.7 Brecht and \"Brechtismo\" -- 2.8 Artaud and the Living Theatre -- 2.9 The Convegno di Ivrea -- 2.10 Pasolini and the \"Teatro di Parola\" -- 3 A Few Theoretical Notes on Breath and Text: Antonio Porta and Giuliano Scabia -- 3.1 An Ambivalent Relation -- 3.2 Reasons for Convergence and Divergence -- 3.3 The Words of \"corpo-voce\":Oral versus Written -- 3.4 The Changing Status of the Text -- 3.5 Giuliano Scabia: An Extreme, Exemplary Path"]
[{"$nulls":4},"3.6 Antonio Porta's Hungry Verse -- 3.7 The \"Battle of Castelporziano\" -- 4 An Introduction to Pagliarani's Theatre -- 4.1 Theatre as \"Verification\" -- 4.2 Languages and Characters -- 4.3 The Function of "]
[{"$nulls":4},"the Chorus -- 4.4 Exempla Devoid of Moral -- 5 Collaborations and Convergences: Pagliarani, Giuliani, Celli, and Sanguineti -- 5.1 Giuliani and \"Il teatro dei Novissimi\" -- 5.2 Pelle d'Asino, according to Perrault -- 5.3 Grottesco per musica -- 5.4 The Play's General Plan -- 5.5 Act Two Manuscripts -- 5.6 The Comparison with Giuliani's Povera Juliet (\"Poor Juliet\")"]
[{"$nulls":4},"5.7 The Rewriting of Jarry's Ubu Roi -- 5.8 Ubu's Intertextuality -- 5.9 Ubu's Language: Interpretations and Puppets -- 5.10 Jarry's Reception in Italy -- 5.11 Seneca, Nero, and the Land Surveyor K. -- 5.12 The Rewriting of Faust by Pagliarani and Celli -- 5.13 Conclusions -- Interviews -- Interview with Valentina Valentini -- Interview with Pippo Di Marca -- Interview with Nanni Balestrini -- Interview with Giuliano Scabia -- Notes -- Works Cited -- Index"]
[null,null,null,"Sommario/riassunto","\"Poetry on Stage focuses on exchanges between the writers of the Italian neo-avant-garde with the actors, directors, and playwrights of the Nuovo Teatro. The book sheds light on a forgotten chapter of twentieth-century Italian literature, arguing that the theatre was the ideal incubator for stylistic and linguistic experiments and a means through which authors could establish direct contact with their audience and verify the solutions they were devising to the practical and theoretical problems raised by their stances in politics and poetics. A robust textual analysis of a number of exemplary texts grounds these issues in the plays and poems produced at the time, and connects them with the experimentations subsequently carried out by some of the same artists. In-depth interviews with four of the most influential figures in the field - critic Valentina Valentini, actor and director Pippo Di Marca, author Giuliano Scabia, and the late poet Nanni Balestrini - conclude the volume, providing an invaluable first-hand testimony that brings back to life the people and controversies discussed.\"--"]