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[null,"1.","Record Nr.",null,"UNINA9910463745403321"]
[null,null,"Autore",null,"Andrews David <1970->"]
[null,null,"Titolo",null,"Theorizing art cinemas : foreign, cult, avant-garde, and beyond / / by David Andrews"]
[null,null,"Pubbl/distr/stampa",null,"Austin : , : University of Texas Press, , 2013"]
[null,null,"ISBN",null,"0-292-74775-6"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (310 p.)"]
[null,null,"Disciplina",null,"791.43/611"]
[null,null,"Soggetti",null,"Avant-garde (Aesthetics)"]
[{"$nulls":4},"Experimental films - History and criticism"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction: correcting art cinema's partial vision -- pt. 1. art, auteurism, and the world -- art as genre as canon: defining \"art cinema\" -- no start, no end: auteurism and the auteur theory -- from \"foreign films\" to \"world cinema\" -- pt. 2. formats and fetishes -- recovery and legitimation in the traditional art film -- losing the asterisk: a theory of cult-art cinema -- revisiting \"the two avant-gardes\" -- sucking the mainstream: a theory of mainstream art cinema -- pt. 3. institutions and distributions -- re-integrating stardom ( . . . or technology or reception or . . . ) -- art cinema as institution, redux: art houses, film festivals, and film studies -- art cinema, the distribution theory -- epilogue. beyond, before cinephilia."]