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[null,"1.","Record Nr.",null,"UNINA9910463732603321"]
[null,null,"Autore",null,"Sperb Jason <1978->"]
[null,null,"Titolo",null,"Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / / Jason Sperb"]
[null,null,"Pubbl/distr/stampa",null,"Austin : , : University of Texas Press, , [2013]"]
[{"$nulls":4},"©2013"]
[null,null,"ISBN",null,"0-292-75291-1"]
[null,null,"Descrizione fisica",null,"1 online resource (297 p.)"]
[null,null,"Disciplina",null,"791.4302/33092"]
[null,null,"Soggetti",null,"Motion picture producers and directors"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Machine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index."]