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[null,"1.","Record Nr.",null,"UNINA9910463573003321"]
[null,null,"Titolo",null,"Seeing red [[electronic resource] ] : Hollywood's pixeled skins : American Indians and film / / edited by LeAnne Howe, Harvey Markowitz, and Denise K. Cummings"]
[null,null,"Pubbl/distr/stampa",null,"East Lansing, : Michigan State University Press, 2012"]
[null,null,"ISBN",null,"1-62895-114-1"]
[{"$nulls":4},"1-60917-368-6"]
[null,null,"Descrizione fisica",null,"1 online resource (246 pages)"]
[null,null,"Collana",null,"American Indian studies series"]
[null,null,"Disciplina",null,"791.43/6552"]
[null,null,"Soggetti",null,"Indians in motion pictures"]
[{"$nulls":4},"Western films - United States - History and criticism"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Introduction -- The silent red man -- John Ford and \"The Duke\" on the warpath -- The Disney version -- Mixed bloods in distress -- You mean, I'm a white guy? -- Indians with fangs -- Walk a mile in my moccasins -- NDNS: the young and the restless -- Death wish, Indian style -- Love, indigenous-style -- Workin' for the great white father -- What the critics said--"]
[null,null,null,"Sommario/riassunto","At once informative, comic, and plaintive, Seeing Red-Hollywood's Pixeled Skins   is an anthology of critical reviews that reexamines the ways in which   American Indians have traditionally been portrayed in film. From George   B. Seitz's 1925 The Vanishing American to Rick Schroder's 2004 Black Cloud,   these 36 reviews by prominent scholars of American Indian Studies are   accessible, personal, intimate, and oftentimes autobiographic. Seeing Red-Hollywood's Pixeled Skins   offers indispensable perspectives from American Indian cultures to   foreground the dramatic, frequently ridiculous"]