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[null,"1.","Record Nr.",null,"UNINA990004370300403321"]
[null,null,"Autore",null,"Trinh, T. Minh-Ha <1952- >"]
[null,null,"Titolo",null,"Woman, native, other : writing postcoloniality and feminism / Trinh T. Minh-ha"]
[null,null,"Pubbl/distr/stampa",null,"Bloomington and Indianapolis : Indiana University press, c1989"]
[null,null,"ISBN",null,"0-253-20503-4"]
[null,null,"Descrizione fisica",null,"VIII, 173 p. : ill. ; 24 cm"]
[null,null,"Disciplina",null,"809.892 87"]
[null,null,"Locazione",null,"FLFBC"]
[null,null,"Collocazione",null,"809.892 TRI 1"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNICAMPANIASUN0123868"]
[null,null,"Titolo",null,"Analytic, Algebraic and Geometric Aspects of Differential Equations : Będlewo, Poland, September 2015 / Galina Filipuk, Yoshishige Haraoka, Sławomir Michalik editors"]
[null,null,"Pubbl/distr/stampa",null,"viii, 471 p., : ill. ; 24 cm"]
[null,null,"Edizione",null,"[Cham : Birkhäuser, 2017]"]
[null,null,"Descrizione fisica",null,"Pubblicazione in formato elettronico"]
[null,null,"Soggetti",null,"34Mxx - Ordinary differential equations in the complex domain [MSC 2020]"]
[{"$nulls":4},"35R03 - PDEs on Heisenberg groups, Lie groups, Carnot groups, etc. [MSC 2020]"]
[{"$nulls":4},"17B22 - Root systems [MSC 2020]"]
[{"$nulls":4},"33C52 - Orthogonal polynomials and functions associated with root systems [MSC 2020]"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNINA9910463544803321"]
[null,null,"Autore",null,"Pomerance Murray <1946->"]
[null,null,"Titolo",null,"The eyes have it [[electronic resource] ] : cinema and the reality effect / / Murray Pomerance"]
[null,null,"Pubbl/distr/stampa",null,"New Brunswick, N.J., : Rutgers University Press, c2013"]
[null,null,"ISBN",null,"0-8135-6060-8"]
[null,null,"Descrizione fisica",null,"1 online resource (279 p.)"]
[null,null,"Collana",null,"Techniques of the Moving Image"]
[{"$nulls":4},"Techniques of the moving image"]
[null,null,"Disciplina",null,"791.43/612"]
[null,null,"Soggetti",null,"Realism in motion pictures"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Vivid rivals -- The two of us -- Being there -- A fairy tale."]
[null,null,null,"Sommario/riassunto","The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive. Beginning with a penetrating study of five cornfield sequences-including The Wizard of Oz, Arizona Dream, and Signs-Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930's to the 2000's to show how the viewer's experience of \"reality\" is put in context, challenged, and willfully engaged. Four meditations deal with \"reality effects\" from different philosophical and technical angles. \"Vivid Rivals\" assesses active participation and critical judgment in seeing effects with such works as Defiance, Cloverfield, Knowing, Thelma & Louise, and more. \"The Two of Us\" considers double placement and doubled experience with such films as The Prestige, Niagara, and A Stolen Life. \"Being There\" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. \"Fairy Land\" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting."]