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[null,"1.","Record Nr.",null,"UNINA9910463494603321"]
[null,null,"Autore",null,"Papp Zilia"]
[null,null,"Titolo",null,"Traditional monster imagery in manga, anime and Japanese cinema [[electronic resource] /] / Zilia Papp"]
[null,null,"Pubbl/distr/stampa",null,"Folkestone, Kent, UK, : Global Oriental, 2011"]
[null,null,"ISBN",null,"1-280-68642-1"]
[{"$nulls":4},"9786613663368"]
[{"$nulls":4},"90-04-21260-4"]
[null,null,"Descrizione fisica",null,"1 online resource (272 p.)"]
[null,null,"Collana",null,"Brill eBook titles"]
[null,null,"Disciplina",null,"741.5952"]
[null,null,"Soggetti",null,"Animated films - Japan - History and criticism"]
[{"$nulls":4},"Art, Japanese - 20th century"]
[{"$nulls":4},"Comic books, strips, etc - Japan - History and criticism"]
[{"$nulls":4},"Monsters in art"]
[{"$nulls":4},"Motion pictures - Japan - History"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [226]-233) and index."]
[null,null,"Nota di contenuto",null,"Preliminary Material -- Introduction: Context and Contemporary Scene -- Geisha and Robot -- New Vienna School Approach -- Yōkai Art from Prehistory to Modernity -- Multitude of Monsters in Multimedia -- Yōkai in Cinema, 1968 – 2008 -- Monster Landscapes -- Bibliography -- Glossary of Terms -- Glossary of Persons -- Index."]
[null,null,null,"Sommario/riassunto","Traditional Monster Imagery in Manga, Anime and Japanese Cinema builds on the earlier volume Anime and its Roots in Early Japanese Monster Art , that aimed to position contemporary Japanese animation within a wider art historical context by tracing the development of monster representations in Edo- and Meiji-period art works and post-war visual media. While the previous volume concentrated on modern media representations, this work focuses on how Western art historical concepts and methodology might be adapted when considering non-Western works, introducing traditional monster art in more detail, while also maintaining its links to post-war animation, sequential art and Japanese cinema. The book aims at a general readership interested in Japanese art and media as well as graduate students who might be searching for a research model within the fields of Animation Studies, "]
[{"$nulls":4},"Media Studies or Visual Communication Design."]
[null,"2.","Record Nr.",null,"UNINA9910149673003321"]
[null,null,"Titolo",null,"Kirchliche Zeitgeschichte (20. Jahrhundert)"]
[null,null,"Pubbl/distr/stampa",null,"Hamburg, : Hamburg University Press, 2008"]
[null,null,"Descrizione fisica",null,"1 online resource (518)"]
[null,null,"Collana",null,"Arbeiten zur Kirchengeschichte Hamburgs ; ; Volume 26"]
[null,null,"Disciplina",null,"270.05"]
[null,null,"Soggetti",null,"History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,null,"Sommario/riassunto","The fifth part of the \"Hamburgische Kirchengeschichte in Aufsätzen\" (Hamburg's church history in essays) covers Hamburg's church history in the 20th century.In addition to articles on the history of the regional church in the Weimar Republic, in the \"Third Reich\", in the post-war period and in the second half of the 20th century, theological outsiders, student counselling, the long road to equality of theologians, denazification, the Pedagogical-Theological Institute and practical theology are presented. The history of the Catholic Church is described in own contributions. Biographies of the regional bishops and a bibliography complete the presentation."]
[null,"3.","Record Nr.",null,"UNINA9910782537603321"]
[null,null,"Titolo",null,"Art and theory after socialism [[electronic resource] /] / edited by Mel Jordan and Malcolm Miles ; editorial assistant, Karen Roulstone"]
[null,null,"Pubbl/distr/stampa",null,"Bristol, UK ; ; Chicago, : Intellect, 2008"]
[null,null,"ISBN",null,"1-282-03513-4"]
[{"$nulls":4},"1-282-03512-6"]
[{"$nulls":4},"9786612035135"]
[{"$nulls":4},"1-84150-265-0"]
[null,null,"Descrizione fisica",null,"1 online resource (130 p.)"]
[null,null,"Collana",null,"Changing Media, Changing Europe"]
[null,null,"Disciplina",null,"306.2"]
[null,null,"Soggetti",null,"Postmodernism - Political aspects"]
[{"$nulls":4},"Socialism and art"]
[{"$nulls":4},"Art - Political aspects"]
[{"$nulls":4},"Art - Philosophy"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Front Matter; Preliminary Pages; Contents; Introduction; Chapter 1 From Shamed to Famed - The Transition of a Former Eastern German Arts Academy to the Talent Hotbed of a Contemporary Painters' School. The Hochschule für Grafik und Buchkunst; Chapter 2 Attacking Objectification: Jerzy Bere&sacute;  in Dialogue with Marcel Duchamp; Chapter 3 On the Ruins of a Utopia: Armenian Avant-Garde and the Group Act; Chapter 4 Art Communities, Public Spaces and Collective Actions in ArmenianContemporary Art; Chapter 5 Appropriating the Ex-Cold War"]
[{"$nulls":4},"Chapter 6 The End of an Idea: On Art, Horizons and the Post-Socialist ConditionChapter 7 Exploring Critical and Political Art in the United Kingdom and Serbia; Chapter 8 Other Landscapes (for Weimar, Goethe and Schiller); Chapter 9 The Ecology of Post-Socialism and the Implications of Sustainability for Contemporary Art; Chapter 10 Functions, Functionalism and Functionlessness: On the Social Function of Public Art after Modernism; Back Matter"]
[null,null,null,"Sommario/riassunto","Contemporary visual culture, art, theory and criticism shifted after the end of the Cold War, so that cultural production in both the East and the West underwent radical new challenges. Art and Theory After Socialism considers the new critical insights that are produced in the "]
[{"$nulls":4},"collisions of art theory from the ex-East and ex-West. The collected essays assert that dreams promised by consumerism and capitalism have not been delivered in the East, and that the West is not a zone of liberation, increasingly drawn into global conflict as well as media presentation of a high-risk society. Academics,"]