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[null,"1.","Record Nr.",null,"UNINA9910463446303321"]
[null,null,"Titolo",null,"Victorian traffic [[electronic resource] ] : identity, exchange, performance / / edited by Sue Thomas"]
[null,null,"Pubbl/distr/stampa",null,"Newcastle, : Cambridge Scholars, 2008"]
[null,null,"ISBN",null,"1-4438-1025-8"]
[null,null,"Descrizione fisica",null,"1 online resource (349 p.)"]
[null,null,"Disciplina",null,"306.3094109034"]
[null,null,"Soggetti",null,"Communication and traffic - Great Britain - History - 19th century"]
[{"$nulls":4},"Electronic books."]
[{"$nulls":4},"Great Britain History Victoria, 1837-1901"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"TABLE OF CONTENTS; LIST OF IMAGES; ACKNOWLEDGMENTS; INTRODUCTION; PART I; GIFTS OF PATCHWORK AND VISITS TO WHITEHALL; \"I CANNOT SEE ONE WITHOUT THINKING OF THE OTHER\"; AUTHORISING THE SELF; EXOTICISM IN ANGLO-INDIAN WOMEN'S FICTION, 1880-1920; \"FLASHED FROM WIRE TO WIRE, THROUGH THE CONTINENTS OF THE OLD AND NEW WORLD\"; THE TRAFFIC IN GOSSIP; ANGLO-AUSTRALIANS ON FLEET STREET, 1892-1905; FRIEDA CASSIN'S WITH SILENT TREAD AND THE SPECTRE OF LEPROSY IN ANTIGUA AND BRITAIN, 1889-91; PART II; AGENTS OR OBJECTS?; PAULINE JOHNSON-TEKAHIONWAKE; OSCAR'S WILD(E) YEAR IN AMERICA"]
[{"$nulls":4},"FEMALE PLEASURE AND MUSCULAR ARMS IN TOURING TRAPEZE ACTSPART III; TRAFFIC IN PICTURES; TRANSPORTING GENRES; THE TRAFFIC OF IDENTITY; LITTLE MAN WALKING; \"THE GREAT AND WONDERFUL LABYRINTH\"; SPECTRAL TRAFFIC; BIBLIOGRAPHY; CONTRIBUTORS; INDEX"]
[null,null,null,"Sommario/riassunto","Organised around the themes Home and Abroad, Performative Traffic, and Image, Circulation, Mobility, Victorian Traffic: Identity, Performance, Exchange variously addresses the cultural dimensions of traffic in the long Victorian period: cross-cultural experience; colonial and racial imaginaries; everyday, literary, autobiographical and professional stagings of identity; and trade in metaphors, communications, texts, images, celebrity, character types, and quilts. The concept of traffic underpins historical interpretation and theoretical formulations, and the rhetorics of trade in Victorian usage are "]
[{"$nulls":4},"contextualised. Understandings of identity emphasise the performative and the negotiation of agency in relation to social and cultural scriptings of gender, class, ethnicity and community. The essays have a wide global range and reach.'This collection of essays takes as its theme an enormously important concept for the nineteenth century: traffic, a term that, in a time of unprecedented commercial and imperial expansion, technological developments, population growth and urbanization, acquired new resonance, and came to signify the intensely transactional nature of modernity. One of Ruskin's most searing critiques of the spiritual condition of England, an invited lecture he delivered in 1864 on the topic of the Bradford Exchange, is entitled ‘Traffic', and the word clearly signifies for him all that is wrong with post-industrial capitalism. But this stimulating volume encompasses a range of other significations that have additionally come to accrue around the term, relating for example to inter-cultural exchange, to the circulation of ideas and images, to the commodification of identity, and to literature, art and performance in the market place. The scope of the collection is, appropriately, global, including essays on England's relations of exchange with Australia, New Zealand, North America, the Far East, and the Caribbean. What we are shown ineluctably is that the traffic between Victorian Britain and the reaches of empire, between Home and Abroad, was two-way, a vehicle for cross-cultural encounter, mediation and trade; and that cultural identity is relational, circulatory and always in motion.'—Hilary Fraser, Birkbeck, University of London."]
[null,"2.","Record Nr.",null,"UNINA9910779650803321"]
[null,null,"Autore",null,"Riboldi Franco"]
[null,null,"Titolo",null,"Stop a la adicción al tabaco [[electronic resource] ] : una guía para dejar de fumar / / Franco Riboldi ; [Traducción de Cristina Sala]"]
[null,null,"Pubbl/distr/stampa",null,"Barcelona, : De Vecchi Ediciones, 2012"]
[null,null,"Descrizione fisica",null,"191 p"]
[null,null,"Disciplina",null,"613.85"]
[null,null,"Soggetti",null,"Smoking"]
[{"$nulls":4},"Smoking cessation"]
[null,null,"Lingua di pubblicazione",null,"Spagnolo"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Intro -- Título -- Introducción -- ¿Por qué una guía? -- Aspectos innovadores -- Etapas del proceso -- Cómo se utiliza -- PRIMERA ETAPA: planificación -- Punto de partida: el príncipe infeliz -- Primer paso: analice su dependencia -- ¿POR QUÉ FUMA? -- ¿QUÉ MÉTODO UTILIZAR? -- Segundo paso: desarrolle sus recursos -- AUTOCONVENCIMIENTO -- VISUALIZACIÓN MENTAL -- Tercer paso: utilice nuevas estrategias -- EL GRAN CASTILLO -- SEGUNDA ETAPA: el problema -- Punto de partida: la oveja descarriada -- Primer paso: analice su dependencia -- ¿CÓMO FUNCIONA LA TRAMPA? -- ME GUSTA FUMAR -- FUMAR ME RELAJA -- FUMAR ME AYUDA -- ES MÁS FUERTE QUE YO -- ¿CUÁL ES LA MAGNITUD DEL PROBLEMA? -- Segundo paso: desarrolle sus recursos -- CONTROL DE LAS EMOCIONES -- PENSAMIENTO POSITIVO -- Tercer paso: utilice nuevas estrategias -- EL BOSQUE MISTERIOSO -- TERCERA ETAPA: motivación -- Punto de partida: la estatua parlante -- Primer paso: analice su dependencia -- ¿POR QUÉ QUIERE DEJARLO? -- ¿QUÉ FACTORES INFLUYEN SOBRE LA MOTIVACIÓN? -- Segundo paso: desarrolle sus recursos -- LOS MENSAJES DEL INCONSCIENTE -- AUTOSUGESTIÓN -- Tercer paso: utilice nuevas estrategias -- LA BARRERA INVISIBLE -- CUARTA ETAPA: decisión -- Punto de partida: la estrella fugaz -- Primer paso: analice su dependencia -- ¿QUÉ INTERFIERE EN LA DECISIÓN? -- EL RIESGO DE NO DECIDIR -- Segundo paso: desarrolle sus recursos -- VALORES Y FUERZA DE VOLUNTAD -- AUTOOBSERVACIÓN -- Tercer paso: utilice nuevas estrategias -- LA ENCRUCIJADA DE LA DUDA -- QUINTA ETAPA: deshabituación -- Punto de partida: el guardián del faro -- Primer paso: analice su dependencia "]
[{"$nulls":4},"-- ¿QUÉ PROBLEMAS SE MANIFIESTAN AL DESHABITUARSE DEL TABACO? -- CÓMO ABANDONAR EL CIGARRILLO -- FORMAS DE ACTUACIÓN -- Segundo paso: desarrolle sus recursos -- EL ARTE DE LA DISTRACCIÓN -- LA RELAJACIÓN MUSCULAR."]
[{"$nulls":4},"Tercer paso: utilice nuevas estrategias -- LA ISLA DEL TESORO -- SEXTA ETAPA: cambio -- Punto de partida: el patito feo -- Primer paso: analice su dependencia -- ¿ACABA TODO CON EL ÚLTIMO CIGARRILLO? -- ¿QUÉ ACTITUD FAVORECE EL CAMBIO? -- Segundo paso: desarrolle sus recursos -- CALMA Y AUTOCONTROL -- LA EDUCACIÓN SENSORIAL -- Tercer paso: utilice nuevas estrategias -- LA LLAMADA DE LA NATURALEZA -- Al final del camino -- ¿Por qué no consigo dejarlo? -- ¿Qué puedo hacer para no recaer? -- ¿Y si me ofrecen un cigarrillo? -- Bibliografía."]
[null,null,null,"Sommario/riassunto","¿Fumar?, ¿por qué?, ¿para qué? ¡Miles de personas fallecen cada año por su adicción al tabaco! ¡Recupere el placer de no fumar! Abandonar la adicción es el objetivo a conseguir, debido a que esto lleva implícito la recuperación de la salud, además de otras muchas cosas. En estas páginas le ofrecemos mecanismos sencillos para que lo consiga sólo con el esfuerzo estrictamente necesario. No le marearemos con técnicas y consejos, sino que le ofrecemos los recursos concretos para que recupere aquello que el tabaco parece haberle arrebatado inexorablemente: respeto por uno mismo, autoestima, autonomía, autocontrol y, no en último lugar, sentido del placer (el verdadero). Esta guía sigue un recorrido articulado en tres pasos para aproximarse al problema: analice su dependencia, desarrolle sus recursos y utilice nuevas estrategias. Así, le llevará hasta el objetivo final en una serie de etapas estudiadas para que llegue a su meta a través del logro de objetivos intermedios. Para ello, se concentra, por un lado, en los aspectos menos conflictivos en el plano psicológico, atenuando las dudas e indecisiones, y, por otro, se favorece la consecución de determinados retos que animan constantemente el proceso de recuperación."]