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[null,"1.","Record Nr.",null,"UNINA9910463290603321"]
[null,null,"Autore",null,"Ongur Hakan Ovunc"]
[null,null,"Titolo",null,"Minorities of Europeanization : the new others of European social identity / / Hakan Ovunc Ongur"]
[null,null,"Pubbl/distr/stampa",null,"Lanham, Maryland : , : Lexington Books, , 2015"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"0-7391-8149-1"]
[null,null,"Descrizione fisica",null,"1 online resource (197 p.)"]
[null,null,"Disciplina",null,"305.094"]
[null,null,"Soggetti",null,"Minorities - Europe"]
[{"$nulls":4},"Nationalism - Europe"]
[{"$nulls":4},"National characteristics - Europe"]
[{"$nulls":4},"Group identity - Europe"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents; Acknowledgments; Chapter 1: Introduction; Chapter 2: Historicizing European Identity through Europeanization; Chapter 3: Late-Modern European Self-Definition, the Other, and Social Identity Theory; Chapter 4: Europeanization of Minorities vs. Minorities of Europeanization: A Historical Study; Chapter 5: Conclusion; Bibliography; Index; About the Author"]
[null,null,null,"Sommario/riassunto","<span><span>This book combines the conceptualization of social identity with historical analysis to rethink discussions of Europeanization and minorities. Problematizing the EU's attempts to create a \"European social identity,\" it demonstrates how post-war Europeanization instead generated new sources of identity polarization that produced the new minorities.</span></span>"]
[null,"2.","Record Nr.",null,"UNINA9910551849703321"]
[null,null,"Autore",null,"Beffa Karol"]
[null,null,"Titolo",null,"Par volonté et par hasard : Théorie et pratique de la création musicale / / Karol Beffa"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : Éditions de la Sorbonne, 2021"]
[null,null,"ISBN",null,"979-1-03-510770-3"]
[null,null,"Descrizione fisica",null,"1 online resource (216 p.)"]
[null,null,"Collana",null,"Itinéraires"]
[null,null,"Soggetti",null,"Music"]
[{"$nulls":4},"musique"]
[{"$nulls":4},"récit personnel"]
[{"$nulls":4},"XXe siècle"]
[{"$nulls":4},"composition musicale"]
[{"$nulls":4},"philosophie et esthétique"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","« En même temps que je commençais à m’imaginer en compositeur, je décidais de devenir musicologue. » Jamais je n’aurais pensé qu’il soit possible de dissocier composition et théorie musicale, recherche et création. Inversement, il m’était difficile d’imaginer devenir un compositeur qui ne soit pas aussi un praticien, c’est-à-dire un transmetteur : instrumentiste, mais aussi accompagnateur, improvisateur et, bien entendu, enseignant. Mon parcours ne s’est pas présenté à moi comme un effort pour affranchir, puis concilier des disciplines ou des domaines dont le cloisonnement m’étouffait. Je l’ai vécu intimement comme le déploiement naturel, logique et nécessaire d’une conception personnelle de la musique, élaborée dans un va-et-vient incessant et fécond entre la solitude du chercheur ou du compositeur et le partage avec les publics académiques ou mélomanes, ainsi qu’avec les autres arts, en particulier la littérature et le cinéma."]