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[null,"1.","Record Nr.",null,"UNINA9910462886403321"]
[null,null,"Autore",null,"Bratina Michele P. <1972->"]
[null,null,"Titolo",null,"Acculturation and attitudes toward violence among Latinos [[electronic resource] /] / Michele P. Bratina"]
[null,null,"Pubbl/distr/stampa",null,"El Paso, : LFB Scholarly Publishing LLC, 2013"]
[null,null,"ISBN",null,"1-59332-711-0"]
[null,null,"Descrizione fisica",null,"1 online resource (199 p.)"]
[null,null,"Collana",null,"Criminal justice: recent scholarship"]
[null,null,"Disciplina",null,"305.868/073"]
[null,null,"Soggetti",null,"Acculturation - United States"]
[{"$nulls":4},"Violence - United States"]
[{"$nulls":4},"Hispanic Americans - Attitudes"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,null,"Sommario/riassunto","Bratina studied a group of Latino males to examine how attitudes that endorse the use of violence are influenced by assimilation. The sample was partially derived from Social Networking Sites (SNS) including MySpace and Facebook. The primary expectation was that pro-violent attitudes would vary depending on level of assimilation. Bratina expected a significant positive relationship between highly assimilated Latinos and pro-violent attitudes. By-and-large, endorsement of violence was low among this overwhelmingly assimilated group; however, multivariate analyses revealed a different picture."]
[null,"2.","Record Nr.",null,"UNINA9910495978803321"]
[null,null,"Autore",null,"Smirnova Natalia"]
[null,null,"Titolo",null,"La compagnie des ballets russes / / Natalia Smirnova"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : CNRS Éditions, 2016"]
[null,null,"ISBN",null,"2-271-09105-5"]
[null,null,"Descrizione fisica",null,"1 online resource (143 p.)"]
[null,null,"Collana",null,"Hors collection"]
[null,null,"Soggetti",null,"Dance"]
[{"$nulls":4},"ballet"]
[{"$nulls":4},"Russes"]
[{"$nulls":4},"Serguej Pavlovitch Diaguilev"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Mai 1909. La première saison des Ballets Russes en France fait un triomphe. Sur la scène du Châtelet, le public parisien voit surgir l’Orient dont ont rêvé ses peintres et ses poètes. Irruption des couleurs, gestuelle saccadée, remise à l’honneur de la danse masculine une révolution est en marche. Serge Diaghilev, créateur et mécène des Ballets, veut mettre en oeuvre un spectacle total, une esthétique de la surprise avec des artistes d’avant-garde qui bousculent les traditions. Une « peinture en mouvement », une « orgie de formes et de couleurs » où l’oeuvre picturale joue un rôle d’autant plus important qu’elle est conçue par rapport à la musique et à l’acteur. Natalia Smirnova fait revivre cette aventure exceptionnelle, associée à une superbe iconographie : tableaux, aquarelles, gouaches, esquisses de costumes, photographies des scènes de spectacles, des peintres, des danseurs… Le livre-événement pour fêter le centenaire des Ballets les plus célèbres du monde."]