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[null,"1.","Record Nr.",null,"UNINA9910462765303321"]
[null,null,"Autore",null,"Shail Andrew <1978-, >"]
[null,null,"Titolo",null,"The cinema and the origins of literary modernism / / Andrew Shail"]
[null,null,"Pubbl/distr/stampa",null,"New York : , : Routledge, , 2012"]
[null,null,"ISBN",null,"0-203-12628-9"]
[{"$nulls":4},"1-283-84267-X"]
[{"$nulls":4},"1-136-45516-7"]
[null,null,"Descrizione fisica",null,"1 online resource (269 p.)"]
[null,null,"Collana",null,"Routledge interdisciplinary perspectives on literature ; ; 7"]
[null,null,"Disciplina",null,"820.9/112"]
[null,null,"Soggetti",null,"Motion pictures and literature"]
[{"$nulls":4},"English literature - 20th century - History and criticism"]
[{"$nulls":4},"Modernism (Literature) - Great Britain"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover; Title; Copyright; Dedication; Contents; Note on Presentation; List of Figures; Acknowledgments; Introduction: From 'The Cinematograph' to 'The Pictures'; 1 The Cinema of Narrative Integration, the Demise of Impressionism and the Rise of Modernism; 2 Cinema's Continuous Present and Modernist Temporality; 3 Mass Consciousness and Mass Cinema; Afterword: 'a picture feverishly turned'; Notes; Bibliography; Index"]
[null,null,null,"Sommario/riassunto","Modernist writing has always been linked with cinema. The recent renaissance in early British film studies has allowed cinema to emerge as a major historical context for literary practice. Treating cinema as a historical rather than an aesthetic influence, this book analyzes the role of early British film culture in literature, thus providing the first account of cinema as a cause for modernism. Shail's study draws on little-known sources to create a detailed picture of cinema following its 'second birth' as both institution and medium. The book presents a comprehensive"]