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[null,"1.","Record Nr.",null,"UNINA9910462614803321"]
[null,null,"Titolo",null,"The art of Nick Cave [[electronic resource] ] : new critical essays / / edited by John H. Baker"]
[null,null,"Pubbl/distr/stampa",null,"Bristol, : Intellect, 2013"]
[null,null,"ISBN",null,"1-84150-781-4"]
[null,null,"Descrizione fisica",null,"1 online resource (290 p.)"]
[null,null,"Disciplina",null,"782.42166092"]
[null,null,"Soggetti",null,"Musicians as artists"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"pt. I. Cave, the songwriter -- pt. II. Murder ballads -- pt. III. Film and theatre -- pt. IV. Influences -- pt. V. Sacred and profane."]
[null,null,null,"Sommario/riassunto","Known for his work as a performer and songwriter with The Birthday Party, the Bad seeds and Grinderman, Australian artist Nick Cave has also pursued a variety of other projects including writing and acting. Covering the full range of Cave's creative endeavours, this collection of critical essays provides a comprehensive overview of his multifaceted career. Contributions come from a diverse group of scholars and experts who consider Cave's work from different angles, drawing on historical, psychological, pedagogical and generic perspectives. Together, the resulting essays provide a lucid overvi"]
[null,"2.","Record Nr.",null,"UNINA9910340603603321"]
[null,null,"Autore",null,"Agnès Benoît"]
[null,null,"Titolo",null,"S'exprimer en temps de troubles : Conflits, opinion(s) et politisation du Moyen Âge au début du XXe siècle / / Laurent Bourquin, Philippe Hamon, Pierre Karila-Cohen, Cédric Michon"]
[null,null,"Pubbl/distr/stampa",null,"Rennes, : Presses universitaires de Rennes, 2019"]
[null,null,"ISBN",null,"2-7535-6846-4"]
[null,null,"Descrizione fisica",null,"1 online resource (380 p.)"]
[null,null,"Soggetti",null,"History"]
[{"$nulls":4},"opinion publique"]
[{"$nulls":4},"liberté d'expression"]
[{"$nulls":4},"politisation"]
[{"$nulls":4},"conflit"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Les conflits sont fertiles en discours d’accusation ou de justification. Ils provoquent des prises de position qui prétendent exprimer les sentiments d’une large opinion, ou la prendre à témoin. Et nombreux sont les acteurs qui veulent profiter des temps de troubles pour promouvoir un projet politique. D’ailleurs, n’est-ce pas par leur existence même que les conflits génèrent une politisation ?  Cette approche croisée pose de multiples problèmes, à commencer par l’émergence de l’opinion publique : se produit-elle, comme le pensait Jürgen Habermas, dans la seconde moitié du XVIIIe siècle, ou bien plus tôt ? De même, la notion de politisation doit être maniée avec précaution, pour éviter toute forme d’évolutionnisme un peu naïf. Aborder ces questions sur le temps long, comme le propose cet ouvrage, permet ainsi d’ouvrir de nouvelles pistes et de se prémunir tout autant des fausses continuités que des ruptures illusoires.  C’est donc un chantier conceptuel passionnant que les contributeurs de cet ouvrage ont ouvert. Leur pari : faire bouger les lignes en analysant la politisation et l’opinion par le biais de l’histoire des conflits. Ce livre voudrait ainsi sortir de certaines impasses nuisibles à la recherche historique et nourrir un dialogue constructif avec l’ensemble des sciences sociales."]