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[null,"1.","Record Nr.",null,"UNINA9910462222503321"]
[null,null,"Autore",null,"Tansman Alan <1960->"]
[null,null,"Titolo",null,"The aesthetics of Japanese fascism [[electronic resource] /] / Alan Tansman"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, : University of California Press, c2009"]
[null,null,"ISBN",null,"0-520-94349-X"]
[null,null,"Descrizione fisica",null,"1 online resource (369 p.)"]
[null,null,"Collana",null,"A study of the Weatherhead East Asian Institute"]
[null,null,"Disciplina",null,"895.6/09"]
[null,null,"Soggetti",null,"Japanese literature - 20th century - History and criticism"]
[{"$nulls":4},"Fascism in literature"]
[{"$nulls":4},"Fascist aesthetics - Japan - History - 20th century"]
[{"$nulls":4},"Fascism - Japan - History - 20th century"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Preface -- Abbreviations -- Introduction: The Aesthetics Of Japanese Fascism -- 1. Modernist Beginnings: Akutagawa Ryūmnosuke And Kobayashi Hideo -- 2. The Beauty Of Violence: Yasuda Yojūrō's \"Japanese Bridges -- 3. Objects Of The Sublime In Literary Writing: Yasuda Yojūrō, Yanagi Sōetsu, Kawabata Yasunari, And Shiga Naoya -- 4. The Rhetoric Of Unspoken Fascism: The Essence Of The National Polity -- 5. Sentimental Fascism On Screen: Mother Under The Eyelids -- 6. An Aesthetics Of Devotion: Kobayashi Hideo's Cultural Criticism -- 7. Filaments Of Fascism In Postwar Times -- Coda: Reading Fascist Aesthetics -- Notes -- Index"]
[null,null,null,"Sommario/riassunto","In this wide-ranging study of Japanese cultural expression, Alan Tansman reveals how a particular, often seemingly innocent aesthetic sensibility-present in novels, essays, popular songs, film, and political writings-helped create an \"aesthetic of fascism\" in the years leading up to World War II. Evoking beautiful moments of violence, both real and imagined, these works did not lead to fascism in any instrumental sense. Yet, Tansman suggests, they expressed and inspired spiritual longings quenchable only through acts in the real world. Tansman traces this lineage of aesthetic fascism from its beginnings in the 1920's through its flowering in the 1930's to its afterlife in postwar Japan."]
[null,"2.","Record Nr.",null,"UNINA9910214949103321"]
[null,null,"Autore",null,"Benguigui Jean-Luc"]
[null,null,"Titolo",null,"Animation, vie associative, des acteurs s'engagent : Ouvertures internationales / / Luc Greffier"]
[null,null,"Pubbl/distr/stampa",null,"Bordeaux, : Carrières Sociales Editions, 2017"]
[null,null,"ISBN",null,"979-1-0938-3907-3"]
[null,null,"Descrizione fisica",null,"1 online resource (245 p.)"]
[null,null,"Soggetti",null,"Sociology"]
[{"$nulls":4},"animation socio-culturelle"]
[{"$nulls":4},"action sociale"]
[{"$nulls":4},"associations"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Cet ouvrage est issu du 6e colloque international organisé à Paris au mois d'octobre 2013 par l'Association des Départements Carrières Sociales de France (ADCS) pour le compte du Réseau International de l'Animation (RIA). A l'occasion de ce colloque, plus de 200 participants, chercheurs et praticiens, de 21 nationalités et territoires différents, ont pu témoigner de leurs travaux et pratiques, confronter leurs observations et analyses, échanger autour des problématiques interrogeant les réalités sociales et culturelles dans lesquelles ils sont immergés.  Parmi la centaine de communications présentées, certaines attiraient l'attention sur l'importance, la nécessité mais également la complexité des pratiques participatives, de l'engagement citoyen, de la mobilisation nécessaire pour envisager d'autres façons de penser et construire des projets de société. La publication qui en découle, nécessairement sélective par son format, rassemble 11 articles ayant plus particulièrement trait à la vie démocratique et citoyenne, véritable enjeu de société. Des éclairages algériens, guyanais, québécois, suisses viennent ici renforcer les expériences et les analyses franco-métropolitaines dans une perspective compréhensive volontairement tournée vers l'action…"]
[null,"3.","Record Nr.",null,"UNINA9910818846203321"]
[null,null,"Autore",null,"Pascal Antoine"]
[null,null,"Titolo",null,"L'Aquarelle, ou Les Fleurs peintes d'apres la methode de M. Redoute / / Antoine Pascal"]
[null,null,"Pubbl/distr/stampa",null,"[Place of publication not identified] : , : Ligaran, , 2015"]
[null,null,"ISBN",null,"2-335-07623-X"]
[null,null,"Descrizione fisica",null,"1 online resource (72 p.)"]
[null,null,"Disciplina",null,"760.0924"]
[null,null,"Soggetti",null,"Drawing, English - 20th century"]
[{"$nulls":4},"Watercolor painting - 20th century"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Couverture; Page de Copyright; Page de titre; Discours préliminaire; Notions de botanique; De la fleur; De la tige; Des feuilles; Du fruit; Des fleurs composées; L'Aquarelle; Du papier et velin; Des palettes; Des pinceaux; Des couleurs; Couleurs; Couleurs supplémentaires; Du dessin; De l'ébauche; Du fini; Le narcisse des poètes; L'ipomœa; La rose; Observations générales; Du dessin et de la peinture d'après nature; De la perspective; Des effets de la couleur sur la nature; De la composition; Des fonds; Des papillons, insectes, etc.; Du paysage"]
[null,null,null,"Sommario/riassunto","Extrait : \"\"L'Aquarelle est une peinture à l'eau qui exige cependant une définition particulière. On peut peindre de trois manières en délayant les couleurs avec de l'eau. La première par droit d'ancienneté est la gouache, genre de peinture à peu près abandonné, et dont on retrouve les premiers exemples dans les anciens manuscrits enrichis de figures et d'ornements...\"\"À PROPOS DES ÉDITIONS LIGARANLes éditions LIGARAN proposent des versions numériques de qualité de grands livres de la littérature classique mais également des livres rares en partenariat avec la BNF. Beaucoup de soins sont appo"]