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[null,"1.","Record Nr.",null,"UNINA9910462120303321"]
[null,null,"Autore",null,"Walter John <1948->"]
[null,null,"Titolo",null,"Crowds and popular politics in early modern England [[electronic resource] /] / John Walter"]
[null,null,"Pubbl/distr/stampa",null,"Manchester, : Manchester University Press, 2006"]
[null,null,"ISBN",null,"1-84779-397-5"]
[null,null,"Descrizione fisica",null,"1 online resource (239 p.)"]
[null,null,"Collana",null,"Politics, culture, and society in early modern Britain"]
[null,null,"Disciplina",null,"942.05"]
[{"$nulls":4},"942.055"]
[null,null,"Soggetti",null,"Electronic books."]
[{"$nulls":4},"Great Britain Politics and government"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"9780719074752; 9780719074752; Copyright; Contents; Preface; Acknowledgements; List of abbreviations; Introduction; Chapter 1 Crown and crowd: popular culture and popular protest in early modern England; Chapter 2 Grain riots and popular attitudesto the law: Maldon and the crisis of 1629; Chapter 3 The geography of food riots, 1585-16491; Chapter 4 A 'rising of the people'?The Oxfordshire rising of 1596; Chapter 5 The social economy of dearth in early modern England*; Chapter 6 The impact of the English Civil War on society: a world turned upside-down?"]
[{"$nulls":4},"Chapter 7 Public transcripts, popular agency and the politics of subsistence in early modern EnglandIndex"]
[null,null,null,"Sommario/riassunto","Early modern England was marked by profound changes in economy, society, politics and religion. It is widely believed that the poverty and discontent which these changes often caused resulted in major rebellion and frequent 'riots'. Whereas the politics of the people have often been described as a 'many-headed monster'; spasmodic and violent, and the only means by which the people could gain expression in a highly hierarchical society and a state that denied them a political voice, the essays in this collection argue for the inherently political nature of popular protest through a series of st"]
[null,"2.","Record Nr.",null,"UNINA9910513702703321"]
[null,null,"Autore",null,"Eve Martin Paul <1986->"]
[null,null,"Titolo",null,"Warez : the infrastructure and aesthetics of piracy / / Martin Paul Eve"]
[null,null,"Pubbl/distr/stampa",null,"Brooklyn, NY, : punctum books, 2021"]
[null,null,"Descrizione fisica",null,"1 electronic resource (444 p.)"]
[null,null,"Soggetti",null,"Media studies"]
[{"$nulls":4},"Corporate crime"]
[{"$nulls":4},"Internet: general works"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Original pirate material -- Setting the scene -- Infrastructures of the scene -- Organization -- Aesthetics -- Takedowns -- ; Conclusions."]
[null,null,null,"Sommario/riassunto","When most people think of piracy, they think of Bittorrent and The Pirate Bay. These public manifestations of piracy, though, conceal an elite worldwide, underground, organized network of pirate groups who specialize in obtaining media – music, videos, games, and software – before their official sale date and then racing against one another to release the material for free.\n\nWarez: The Infrastructure and Aesthetics of Piracy is the first scholarly research book about this underground subculture, which began life in the pre-internet era Bulletin Board Systems and moved to internet File Transfer Protocol servers (“topsites”) in the mid- to late-1990s. The “Scene,” as it is known, is highly illegal in almost every aspect of its operations. The term “Warez” itself refers to pirated media, a derivative of “software.” Taking a deep dive in the documentary evidence produced by the Scene itself, Warez describes the operations and infrastructures an underground culture with its own norms and rules of participation, its own forms of sociality, and its own artistic forms. Even though forms of digital piracy are often framed within ideological terms of equal access to knowledge and culture, Eve uncovers in the Warez Scene a culture of competitive ranking and one-upmanship that is at odds with the often communalist interpretations of piracy.\n\nBroad in scope and novel in its approach, Warez is indispensible "]
[{"$nulls":4},"reading for anyone interested in recent developments in digital culture, access to knowledge and culture, and the infrastructures that support our digital age."]