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[null,"1.","Record Nr.",null,"UNINA9910462054103321"]
[null,null,"Titolo",null,"(Dis)embodying myths in Ancien Régime opera [[electronic resource] ] : multidisciplinary perspectives / / edited by Bruno Forment"]
[null,null,"Pubbl/distr/stampa",null,"Leuven, : Leuven University Press, 2012"]
[null,null,"ISBN",null,"94-6166-057-X"]
[null,null,"Descrizione fisica",null,"1 online resource (184 p.)"]
[null,null,"Disciplina",null,"782.10944"]
[null,null,"Soggetti",null,"Mythology, Classical, in opera"]
[{"$nulls":4},"Opera - France - 17th century"]
[{"$nulls":4},"Opera - France - 18th century"]
[{"$nulls":4},"Opera - Italy"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Lo scherno degli dei : myth and derision in the dramma per musica of the seventeenth century / Jean-François Lattarico -- Helpings from the great banquets of epic : Handel's Teseo, and Arianna in Creta / Robert C. Ketterer -- Envoicing the divine : oracles in lyric and spoken drama in seventeenth-century France / Geoffrey Burgess -- Addressing the divine : the 'numinous' accompagnato in opera seria / Bruno Forment -- Iphigenia's curious Menange à trois in myth, drama, and opera / Reinhard Strohm -- Spectatorship and involvement in Gluck's Iphigenie en Tauride / Bram van Oostveldt."]
[null,null,null,"Sommario/riassunto","Throughout the Ancien Regime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's 'La favola d'Orfeo' (1607) and Christoph Gluck's 'Iphigenie en Tauride' (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. This book highlights myth's chameleonic life in the Italian 'dramma per musica' and French 'tragedie en musique' of the seventeenth and eighteenth centuries."]
[null,"2.","Record Nr.",null,"UNINA9910780739803321"]
[null,null,"Autore",null,"Giere S. D (Samuel D.)"]
[null,null,"Titolo",null,"A new glimpse of Day One [[electronic resource] ] : intertextuality, history of interpretation, and Genesis 1.1-5 / / S.D. Giere"]
[null,null,"Pubbl/distr/stampa",null,"Berlin ; ; New York, : W. de Gruyter, c2009"]
[null,null,"ISBN",null,"1-282-71507-0"]
[{"$nulls":4},"9786612715075"]
[{"$nulls":4},"3-11-022434-8"]
[null,null,"Descrizione fisica",null,"1 online resource (378 p.)"]
[null,null,"Collana",null,"Beihefte zur Zeitschrift für die neutestamentliche Wissenschaft und die Kunde der älteren Kirche, , 0171-6441 ; ; Bd. 172"]
[null,null,"Disciplina",null,"220"]
[null,null,"Soggetti",null,"Intertextuality in the Bible"]
[{"$nulls":4},"Jewish religious literature - History and criticism"]
[{"$nulls":4},"Christian literature, Early - History and criticism"]
[{"$nulls":4},"Intertextuality"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Revision of the author's thesis (doctoral)--St. Mary's College, University of St. Andrews, 2006."]
[null,null,null,"Nota di bibliografia","Includes bibliogrphical references."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Table of Contents -- Chapter 1 Intertextuality & Method -- Chapter 2 Genesis 1.1-5 in the Hebrew Bible -- Chapter 3 Genesis 1.1-5 in Greek Equivalents of Texts in the Hebrew Bible -- Chapter 4 Intertextual Afterlives of Genesis 1.1-5 in Hebrew -- Chapter 5 Intertextual Afterlives of Genesis 1.1-5 in Greek -- Chapter 6 The Tapestries of Genesis 1.1-5 -- Backmatter"]
[null,null,null,"Sommario/riassunto","Informed by the understanding that all texts are intertexts, this work develops and employs a method that utilizes the concept of intertextuality for the purpose of exploring the history of interpretation of a biblical text. With Day One, Genesis 1.1-5, as the primary text, the intertextuality of this biblical text is investigated in its Hebrew (Masoretic Text) and Greek (Septuagint) contexts. The study then broadens to take up the intertextuality of Day One in other Hebrew and Greek texts up to c. 200 CE, moving from Hebrew texts such as Ben Sira and the Dead Sea Scrolls to Greek texts such as Josephus, Philo, the New Testament, and early Christian texts. What emerges from this is a new glimpse of the intertextuality of Day One that provides insight into the complexity of the intertextuality of a biblical text and the role that language plays in intertextuality and interpretation. In addition to "]
[{"$nulls":4},"the methodological insights that this approach provides to the history of interpretation, the study also sheds light on textual and theological questions that relate to Day One, including the genesis of creatio ex nihilo."]