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[null,"1.","Record Nr.",null,"UNINA990000096210403321"]
[null,null,"Autore",null,"Sindacato nazionale fascista ingegneri"]
[null,null,"Titolo",null,"Tariffa degli onorari per ingegneri : in vigore nella provincia di Napoli dal 1879, modificata per deliberazione dell'Assemblea dei soci della sezione di Napoli dell'ANIAI nel 7 agosto 1924 e adottata dal Consiglio dell'Ordine degli ingegneri e architetti di Napoli in data 4 settembre detto"]
[null,null,"Pubbl/distr/stampa",null,"Napoli : Cooperativa tipografica forense, 1927"]
[null,null,"Edizione",null,"[12. ed.]"]
[null,null,"Descrizione fisica",null,"39 p. ; 24 cm"]
[null,null,"Collana",null,"Raccolta di monografie, pareri, tariffe ; 1"]
[null,null,"Disciplina",null,"620.002 3"]
[null,null,"Locazione",null,"FINBC"]
[null,null,"Collocazione",null,"13 F 56 17"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910462053903321"]
[null,null,"Autore",null,"Kogan Ilany"]
[null,null,"Titolo",null,"Canvas of change : analysis through the prism of creativity / / by Ilany Kogan"]
[null,null,"Pubbl/distr/stampa",null,"Boca Raton, FL : , : Routledge, an imprint of Taylor and Francis, , [2018]"]
[{"$nulls":4},"©2012"]
[null,null,"ISBN",null,"0-429-89745-6"]
[{"$nulls":4},"0-429-47268-4"]
[{"$nulls":4},"1-283-00290-6"]
[{"$nulls":4},"9786613823090"]
[{"$nulls":4},"1-78241-011-2"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (169 p.)"]
[null,null,"Disciplina",null,"150"]
[{"$nulls":4},"616.8917"]
[null,null,"Soggetti",null,"Creation (Literary, artistic, etc.) - Psychological aspects"]
[{"$nulls":4},"Arts - Therapeutic use"]
[{"$nulls":4},"Psychoanalysis"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"COVER; CONTENTS; ACKNOWLEDGEMENTS; ABOUT THE AUTHOR; Introduction; PART I CREATIVITY THROUGH THE PRISM OF ANALYSIS; CHAPTER ONE The source and function of creativity: a review of classical and contemporary literature; CHAPTER TWO Creativity through the prism of analytic models; PART II ANALYSIS THROUGH THE PRISM OF STORIES FROM THE BIBLE; CHAPTER THREE The case of David; CHAPTER FOUR Stories from the Bible in the light of analytic models; PART III ANALYSIS THROUGH THE PRISM OF PAINTINGS AND POEMS; CHAPTER FIVE Creative activity in the treatment of the offspring of Holocaust survivors"]
[{"$nulls":4},"CHAPTER SIX The case of RachelCHAPTER SEVEN From fragmentation to integration; CHAPTER EIGHT The role of creative activity in the treatment of Rachel; CHAPTER NINE-CONCLUSION The role of the therapist in incorporating the creative process in therapy; REFERENCES; INDEX"]
[null,null,null,"Sommario/riassunto","This book presents a detailed account of two analytic case studies "]
[{"$nulls":4},"examined through the particular viewpoint of creativity.The first part of the book contains a review of the classical and contemporary literature on the source and function of creativity. Creativity is then examined from the perspective of several analytic models - Freudian, Kleinian, and post-Kleinian. The second and third parts of the book present case illustrations that deal with the use of creative activity in analysis. The creative use of biblical stories in the case of David, or the use of paintings and poems in the case of Rachel, portrayed the inner reality of these patients. David's violent and incestuous biblical stories reflected his world of incestuous and destructive wishes towards his primary objects (and towards the therapist in the transference) Rachel's paintings and poems conveyed her unconscious conflicts, depressive fantasies and anxieties, stemming from her fusion with her mother who was a child Holocaust survivor. Working through their relationships with their primary objects and their self perception, as revealed by these creative activities in analysis, facilitated the patients' mourning."]