{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":3,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":38,"n_cols":5,"rows_kept":38,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[9,2,9,3],[9,4,9,5],[10,2,10,3],[10,4,10,5],[11,2,11,3],[11,4,11,5],[12,2,12,3],[13,2,13,3],[14,2,14,3],[15,2,15,3],[16,2,16,3],[17,2,17,3],[18,2,18,3],[20,2,20,3],[20,4,20,5],[21,2,21,3],[21,4,21,5],[22,2,22,3],[22,4,22,5],[23,2,23,3],[24,2,24,3],[26,2,26,3],[27,2,27,3],[28,2,28,3],[31,2,31,3],[32,2,32,3],[36,2,36,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA990003522210403321"]
[null,null,"Autore",null,"Sobrero, Ascanio"]
[null,null,"Titolo",null,"Notizia storica classe scienze fisiche e matematiche / Ascanio Sohrero"]
[null,null,"Pubbl/distr/stampa",null,"Torino : s.e., 1864"]
[null,null,"Locazione",null,"DECSE"]
[null,null,"Collocazione",null,"SE 041.07.021-"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNISA990001876710203316"]
[null,null,"Autore",null,"ROMEO, Antonino"]
[null,null,"Titolo",null,"Economia politica : per la terza e quarta classe degli istituti commerciali / Antonino Romeo"]
[null,null,"Pubbl/distr/stampa",null,"Bresso : Tramontana, 1985"]
[null,null,"Descrizione fisica",null,"731 p. ; 19 cm"]
[null,null,"Disciplina",null,"330.07"]
[null,null,"Soggetti",null,"Economia - Teorie - Manuali"]
[null,null,"Collocazione",null,"330.07 ROM 1 (XV F 17)"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNINA9910461939503321"]
[null,null,"Autore",null,"Boden Margaret A"]
[null,null,"Titolo",null,"Creativity and art [[electronic resource]] : three roads to surprise / / Margaret A. Boden"]
[null,null,"Pubbl/distr/stampa",null,"Oxford, : Oxford University Press, 2010"]
[null,null,"ISBN",null,"1-283-63783-9"]
[{"$nulls":4},"0-19-163989-3"]
[null,null,"Descrizione fisica",null,"1 online resource (271 p.)"]
[null,null,"Disciplina",null,"153.35"]
[null,null,"Soggetti",null,"Creation (Literary, artistic, etc.) - Psychological aspects"]
[{"$nulls":4},"Creative ability - Psychological aspects"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents; 1. Introduction; 2. Creativity in a Nutshell; 3. Are Autodidacts Creative?; 4. Crafts, Perception, and the Possibilities of the Body; 5. Creativity and Conceptual Art; 6. Personal Signatures in Art; 7. What Is Generative Art?; 8. Agents and Creativity; 9. Autonomy, Integrity, and Computer Art; 10. Authenticity and Computer Art; 11. Aesthetics and Interactive Art; 12. Is Metabolism Necessary?; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X"]
[null,null,null,"Sommario/riassunto","Margaret Boden presents a series of essays in which she explores the nature of creativity in a wide range of art forms. Creativity in general is the generation of novel, surprising, and valuable ideas (conceptual, theoretical, musical, literary, or visual). Boden identifies three forms of creativity: combinational, exploratory, and transformational. These elicit differing forms of surprise, and are defined by the different kinds of psychological process that generate the new ideas.Boden examines creativity not only in traditional fine art, but also in craftworks, and some less orthodox approac"]