{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":18,"n_cols":5,"rows_kept":18,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[3,2,3,3],[6,2,6,3],[7,2,7,3],[9,2,9,3],[11,2,11,3],[12,2,12,3],[16,2,16,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910461929703321"]
[null,null,"Titolo",null,"Theatre and performance design [[electronic resource] ] : a reader in scenography / / edited by Jane Collins and Andrew Nisbet"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York, : Routledge, 2010"]
[null,null,"ISBN",null,"1-283-64307-3"]
[{"$nulls":4},"0-203-12429-4"]
[{"$nulls":4},"1-136-34453-5"]
[null,null,"Descrizione fisica",null,"1 online resource (423 p.)"]
[null,null,"Disciplina",null,"792.02/5"]
[{"$nulls":4},"792.025"]
[null,null,"Soggetti",null,"Theaters - Stage-setting and scenery"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"pt. I. Looking : the experience of seeing -- pt. II. Space and place -- pt. III. The designer : the scenographic -- pt. IV. Bodies in space -- pt. V. Making meaning."]
[null,null,null,"Sommario/riassunto","Theatre and Performance Design: A Reader in Scenography is an essential resource for those interested in the visual composition of performance and related scenographic practices. Theatre and performance studies, cultural theory, fine art, philosophy and the social sciences are brought together in one volume to examine the principle forces that inform understanding of theatre and performance design.The volume is organised thematically in five sections: looking, the experience of seeing space and placethe designer: the sceno"]