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[null,"1.","Record Nr.",null,"UNINA9910461747903321"]
[null,null,"Autore",null,"Kendall Judy"]
[null,null,"Titolo",null,"Edward Thomas : the origins of his poetry / / Judy Kendall"]
[null,null,"Pubbl/distr/stampa",null,"Cardiff, [Wales] : , : University of Wales Press, , 2012"]
[{"$nulls":4},"©2012"]
[null,null,"ISBN",null,"1-299-20104-0"]
[{"$nulls":4},"0-7083-2452-5"]
[null,null,"Descrizione fisica",null,"1 online resource (258 p.)"]
[null,null,"Collana",null,"Writing Wales in English"]
[null,null,"Disciplina",null,"820.93217340904"]
[null,null,"Soggetti",null,"Pastoral poetry, English - History and criticism"]
[{"$nulls":4},"Soldiers' writings, English - History and criticism"]
[{"$nulls":4},"English poetry - 20th century - History and criticism"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"General Editor's Preface; Acknowledgements; Note on the Text and Abbreviations; Introduction: Studying the Composing Process; Starting Points - How Poems Emerge; Poetry and Oral Literature; Ellipses and Aporia; Gaps; Unfinishedness . . .; Temporal Dislocation; Dislocating Thought; Divagations; Appendices; Notes; Select Bibliography; Index"]
[null,null,null,"Sommario/riassunto","Edward Thomas: The Origins of his Poetry builds a new theoretical framework for critical work on imaginative composition through an investigation of Edward Thomas's composing processes, on material from his letters, his poems and his prose books. It looks at his relation to the land and landscape and includes detailed and illuminating new readings of his poems. It traces connections between Thomas's approach to composition and the writing and thought of Freud, Woolf and William James, and the influence of Japanese aesthetics, and draws surprising and far-reaching conclusions for the study of p"]