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[null,"1.","Record Nr.",null,"UNINA9910461148003321"]
[null,null,"Autore",null,"Byrd Andrew Miles <1979->"]
[null,null,"Titolo",null,"Indo-European syllable / / by Andrew Miles Byrd"]
[null,null,"Pubbl/distr/stampa",null,"Leiden, Netherlands ; ; Boston, [Massachusetts] : , : Brill, , 2015"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"90-04-29302-7"]
[null,null,"Descrizione fisica",null,"1 online resource (327 pages) : illustrations"]
[null,null,"Collana",null,"Brill's Studies in Indo-European Languages & Linguistics, , 1875-6328 ; ; Volume 15"]
[null,null,"Disciplina",null,"414"]
[null,null,"Soggetti",null,"Indo-European language - Syllabication"]
[{"$nulls":4},"Indo-European languages - Phonology"]
[{"$nulls":4},"Reconstruction (Linguistics)"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Revision of the authors Thesis (Ph. D.)--UCLA, 2010."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Part 1. Preliminaries -- Part 2. The proposal -- Part 3. Ramifications -- Part 4. Appendices."]
[null,null,null,"Sommario/riassunto","In The Indo-European Syllable Andrew Miles Byrd investigates the process of syllabification within Proto-Indo-European (PIE), revealing connections to a number of seemingly unrelated phonological processes in the proto-language. Drawing from insights in linguistic typology and synchronic theory, he makes two significant advances in our understanding of PIE phonology. First, by analyzing securely reconstructable consonant clusters at word’s edge, he devises a methodology which allows us to predict which types of consonant clusters could occur word-medially in PIE. Thus, a number of previously disconnected phonological rules can now be understood as being part of a conspiracy motivated by violations in syllable structure. Second, he uncovers evidence of morphological influence within the syllable, created by processes such as quantitative ablaut. These advances allow us to view PIE as a synchronic grammar, one which can be described by -- and contribute to -- modern linguistic theory."]
[null,"2.","Record Nr.",null,"UNINA9910424951503321"]
[null,null,"Autore",null,"Schiller Friedrich"]
[null,null,"Titolo",null,"Maria Stuart / Friedrich Schiller"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge, : Open Book Publishers, 2021"]
[null,null,"ISBN",null,"979-1-03-656693-6"]
[null,null,"Descrizione fisica",null,"1 online resource (xvi-124 p.)"]
[null,null,"Soggetti",null,"Literature (General)"]
[{"$nulls":4},"translation"]
[{"$nulls":4},"Germany"]
[{"$nulls":4},"succession"]
[{"$nulls":4},"Friedrich Schiller"]
[{"$nulls":4},"play"]
[{"$nulls":4},"Roger Paulin"]
[{"$nulls":4},"Maria Stuart"]
[{"$nulls":4},"classical tragedy"]
[{"$nulls":4},"historic drama"]
[{"$nulls":4},"Flora Kimmich"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Maria Stuart, described as Schiller’s most perfect play, is a finely balanced, inventive account of the last day of the captive Queen of Scotland, caught up in a great contest for the throne of England after the death of Henry VIII and over the question of England’s religious confession. Hope for and doubt about Mary’s deliverance grow in the first two acts, given to the Scottish and the English queen respectively, reach crisis at the center of the play, where the two queens meet in a famous scene in a castle park, and die away in acts four and five, as the action advances to its inevitable end. The play is at once classical tragedy of great fineness, costume drama of the highest order-a spectacle on the stage-and one of the great moments in the long tradition of classical rhetoric, as Elizabeth’s ministers argue for and against execution of a royal prisoner.  Flora Kimmich’s new translation carefully preserves the spirit of the original: the pathos and passion of Mary in captivity, the high seriousness of Elizabeth’s ministers in "]
[{"$nulls":4},"council, and the robust comedy of that queen’s untidy private life. Notes to the text identify the many historical figures who appear in the text, describe the political setting of the action, and draw attention to the structure of the play.  Roger Paulin’s introduction discusses the many threads of the conflict in Maria Stuart and enriches our understanding of this much-loved, much-produced play.  Maria Stuart is the last of a series of five new translations of Schiller’s major plays, accompanied by notes to the text and an authoritative introduction, and made freely available to read and download for free on the publisher’s website. Printed and digital editions, together with supplementary digital material, can also be found at www.openbookpublishers.com"]