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[null,"1.","Record Nr.",null,"UNINA9910460921303321"]
[null,null,"Titolo",null,"Studies in philology : linguistics, literature and cultural studies in modern languages / / edited by Gema Alcaraz Mármol and Mar Jiménez-Cervantes Arnao"]
[null,null,"Pubbl/distr/stampa",null,"Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"1-4438-7521-X"]
[null,null,"Descrizione fisica",null,"1 online resource (379 p.)"]
[null,null,"Disciplina",null,"407.1"]
[null,null,"Soggetti",null,"Philology - Study and teaching"]
[{"$nulls":4},"Philology - Research"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"\"\"TABLE OF CONTENTS \"\"; \"\"LIST OF FIGURES \"\"; \"\"LIST OF TABLES \"\"; \"\"INTRODUCTION \"\"; \"\"PART I\"\"; \"\"SECTION A\"\"; \"\"CHAPTER ONE\"\"; \"\"CHAPTER TWO\"\"; \"\"CHAPTER THREE\"\"; \"\"CHAPTER FOUR\"\"; \"\"CHAPTER FIVE\"\"; \"\"CHAPTER SIX\"\"; \"\"CHAPTER SEVEN\"\"; \"\"SECTION B\"\"; \"\"CHAPTER EIGHT\"\"; \"\"CHAPTER NINE\"\"; \"\"CHAPTER TEN\"\"; \"\"CHAPTER ELEVEN\"\"; \"\"SECTION C\"\"; \"\"CHAPTER TWELVE\"\"; \"\"CHAPTER THIRTEEN\"\"; \"\"SECTION D\"\"; \"\"CHAPTER FOURTEEN\"\"; \"\"CHAPTER FIFTEEN\"\"; \"\"CHAPTER SIXTEEN\"\"; \"\"PART II\"\"; \"\"SECTION E\"\"; \"\"CHAPTER SEVENTEEN\"\"; \"\"CHAPTER EIGHTEEN\"\"; \"\"CHAPTER NINETEEN\"\"; \"\"CHAPTER TWENTY\"\"; \"\"SECTION F\"\""]
[{"$nulls":4},"\"\"CHAPTER TWENTY-ONE\"\"\"\"CHAPTER TWENTY-TWO\"\"; \"\"CHAPTER TWENTY-THREE\"\"; \"\"PART III\"\"; \"\"CHAPTER TWENTY-FOUR\"\"; \"\"CHAPTER TWENTY-FIVE\"\"; \"\"CHAPTER TWENTY-SIX\"\"; \"\"CONTRIBUTORS\"\""]
[null,null,null,"Sommario/riassunto","Linguistics, Literature and Cultural Studies are the three main research areas within Philology. Scientific production, such as conferences and journals, has tended towards specialization, and has been traditionally classified according to separate disciplines and languages. However, this volume offers a holistic view of the wide area of Philology, therefore allowing the permeability of the three areas mentioned above. As such, this book shows that the line that separates Linguistics, Literature and Cultural Studies is actually very thin. This volume is "]
[{"$nulls":4},"composed of a miscellanea of philologica"]
[null,"2.","Record Nr.",null,"UNINA9910637799703321"]
[null,null,"Autore",null,"Herbst Tobias"]
[null,null,"Titolo",null,"Legitimation durch Verfassunggebung : Ein Prinzipienmodell der Legitimität staatlicher und supranationaler Hoheitsgewalt"]
[null,null,"Pubbl/distr/stampa",null,"Baden-Baden, : Nomos Verlagsgesellschaft mbH & Co. KG, 2003"]
[null,null,"Descrizione fisica",null,"1 electronic resource (318 p.)"]
[null,null,"Collana",null,"Schriftenreihe Europäisches Verfassungsrecht ; Band 13"]
[null,null,"Soggetti",null,"LND"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Trotz der Arbeiten des EU-Verfassungskonvents zweifeln viele an der Möglichkeit europäischer Verfassunggebung, weil die EU kein Staat ist und es kein einheitliches EU-Volk gibt.\n\nTobias Herbst untersucht, wie Hoheitsgewalt durch Verfassunggebung legitimiert werden kann. Dabei kritisiert er die simplifizierende »urheberorientierte« Vorstellung, dass legitime Verfassunggebung auf ein einheitliches, souveränes Staatsvolk zurückgehen müsse. Unter Rückgriff auf die Verfassungstheorien der Amerikanischen und der Französischen Revolution und auf die Theorie des Gesellschaftsvertrages entwirft Herbst ein Prinzipienmodell der Verfassunggebung mit drei zum Teil gegenläufigen Legitimitätsprinzipien: Freiheitssicherung, kollektive Autonomie und dauerhafte Konsensfähigkeit. Aus diesem Modell lassen sich Aussagen über die Legitimität staatlicher und supranationaler Verfassungen gewinnen. Europäische Verfassunggebung ist demnach jedenfalls möglich und setzt kein einheitliches, souveränes EU-Volk voraus.\n\nDas Buch erhellt den staatsphilosophischen Hintergrund der gegenwärtigen Diskussion über eine Europäische Verfassung und spricht damit Juristen, Politikwissenschaftler und interessierte Laien an."]
[null,"3.","Record Nr.",null,"UNINA9910972183703321"]
[null,null,"Titolo",null,"Dance Matters Too : Markets, Memories, Identities / / editors, Pallabi Chakravorty, Nilanjana Gupta"]
[null,null,"Pubbl/distr/stampa",null,"London : , : Taylor and Francis, , 2018"]
[null,null,"ISBN",null,"1-351-11616-9"]
[{"$nulls":4},"1-351-11617-7"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (xv, 322 pages) : illustrations"]
[null,null,"Disciplina",null,"793.31954"]
[null,null,"Soggetti",null,"Dance - India"]
[{"$nulls":4},"Dance - Social aspects - India"]
[{"$nulls":4},"Asia Study and teaching"]
[{"$nulls":4},"South Asia Civilization"]
[{"$nulls":4},"South Asia Social life and customs"]
[{"$nulls":4},"South Asia Study and teaching"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"part, Part I -- chapter 1 Dance matters II: introduction / PALLABI CHAKRAVORTY NILANJANA GUPTA -- chapter 2 Mah Laqa Bai: the remains of a courtesan’s dance / SCOTT KUGLE -- chapter 3 Conflict between cultural perpetuation and environmental protection: a case study of ritual performance in North Malabar, South India / YOSHIAKI TAKEMURA -- chapter 4 Bodies and borders: the Odissi costume controversy / NANDINI SIKAND -- chapter 5 I know it and I name it as I do it: embodied practice as a key to understand performance / SHRUTI GHOSH -- chapter 6 Cosmopolitan then and cosmopolitan now: Rabindranritya meets dance reality shows / PALLABI CHAKRAVORTY -- part, Part II -- chapter 7 Corporatization of dance: changing landscape in choreography and patronage since economic liberalization in Bengaluru -- chapter 8 Negotiating space for dance within the spectrum of contemporary performing arts in a globalized India: the experiences of an Indian arts manager / ARSHIYA SETHI -- chapter 9 Bollywood dance: desire for the ‘Other’ / INDRANI DASGUPTA -- part, Part III -- chapter 10 Rasalila remixed: tracing the dances of an image / PIKA GHOSH -- chapter 11 Why dance today in India? A philosophical approach / JEAN-FRÉDÉRIC CHEVALLIER -- chapter 12 Playing dance and dancing music: the work of intimacy in kathak / AMEERA NIMJEE -- "]
[{"$nulls":4},"chapter 13 Embodiment, reflexivity and practice-as-research in Indian dance: a case study / PRARTHANA PURKAYASTHA -- chapter 14 Remixing Natya: revanta Sarabhai’s LDR and Post Natyam Collective’s Super Ruwaxi: Origins / SANDRA CHATTERJEE AND CYNTHIA LING LEE -- part, Part IV -- chapter 15 Dancers and critics: re-viewing Tagore / AISHIKA CHAKRABORTY -- chapter 16 Pedagogy of Manipuri dance: in and beyond the temple premise SRUTI BANDOPADHAY -- chapter 17 Text, context and interpreter: understanding the paradigms of Sattriya dance and dancer in the changing space / ANWESA MAHANTA -- chapter 18 Why dancing the sensual sculptures matters? considering a sensory paradigm for Odissi dance / SABINA SWETA SEN-PODSTAWSKA."]
[null,null,null,"Sommario/riassunto","\"Dance Matters Too: Markets, Memories, Identities is a rich intellectual contribution to the growing field of dance studies in India. It forges new avenues of scholarly inquiry and critical engagement and opens the field in innovative ways. This volume builds on Dance Matters (2009), which mapped the interdisciplinary breadth of the field. The chapters presented here continue to underline the uniqueness of a field that is a blend of critical scholarship on aesthetics and performance with the humanities and social sciences.Including diverse material, analytical approaches and perspectives from scholars and practitioners, this multidimensional volume explores debates on dance preservation and tradition in globalizing India, multimedia choreographies and the circulation of dance via electronic media, embodiment and memory, power, democracy and bourgeoning markets, classification and censorship, and corporatization and Bollywood.This tour de force will appeal to those in dance and performance studies, cultural studies, sociology as well as to readers interested in tradition, modernity, gender and globalization.\"--Provided by publisher."]