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[null,"1.","Record Nr.",null,"UNINA9910460725703321"]
[null,null,"Autore",null,"Westgeest Helen <1958->"]
[null,null,"Titolo",null,"Video art theory : a comparative approach / / Helen Westgeest"]
[null,null,"Pubbl/distr/stampa",null,"Chichester, England : , : Wiley Blackwell, , 2016"]
[{"$nulls":4},"©2016"]
[null,null,"ISBN",null,"1-118-47548-8"]
[{"$nulls":4},"1-118-47538-0"]
[null,null,"Descrizione fisica",null,"1 online resource (222 p.)"]
[null,null,"Disciplina",null,"777"]
[null,null,"Soggetti",null,"Video art"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references at the end of each chapters and index."]
[null,null,"Nota di contenuto",null,"\"\"Video Art Theory\"\"; \"\"Contents\"\"; \"\"Acknowledgments\"\"; \"\"Introduction\"\"; \"\"Key characteristics of video art\"\"; \"\"Problem of general characterization of video art\"\"; \"\"Medium as a concept and the comparative and interdisciplinary approach of media\"\"; \"\"Historiography of video art\"\"; \"\"Classification and selection of video artworks\"\"; \"\"Literature on video art\"\"; \"\"References\"\"; \"\"1 Immediacy versus Memory: Video Art in Relation to Television, Performance Art, and Home Video\"\"; \"\"Gillian Wearingâ€?s Trauma (2000) Juxtaposed to Joan Jonasâ€?s Vertical Roll (1972)\"\""]
[{"$nulls":4},"\"\"Video Art Dealing with the Constant Movements of Audio-Visual Electronic Media, and the Immediacy and Socio-Cultural Aspects of Television\"\"\"\"From television and audiotape to videotape: Dynamic images interwoven with sounds\"\"; \"\"Socio-cultural aspects of television interrogated by video art\"\"; \"\"The Appeal of Immediacy: Video in Performance Art and Performance in Video Art\"\"; \"\"Video performance defined as the use of video in performances\"\"; \"\"Video performance defined as substitute for a live event\"\"; \"\"Video as documentation of performances\"\""]
[{"$nulls":4},"\"\"The Application of the Mnemonic Ability of Video and the Relationship with Activist-Videos and Home Video\"\"\"\"Video as social documentation and recording tool in activism\"\"; \"\"Video art and collective memory\"\"; \"\"Home video as mnemonic device\"\"; \"\"Notes\"\"; \"\"References\"\"; \"\"2 Immateriality versus Three-Dimensionality: Video Art as Sculpture, "]
[{"$nulls":4},"Installation Art, Projection, and Virtual Medium\"\"; \"\"Lynn Hershmanâ€?s Tillie the Telerobotic Doll (1995) Juxtaposed to Andy Warholâ€?s Outer and Inner Space (1965)\"\"; \"\"Television as an Object: Sculpture or Part of Architecture\"\""]
[{"$nulls":4},"\"\"Theory of boredom\"\"\"\"Video Art and Drawing\"\"; \"\"Video Art and Painting\"\"; \"\"Color in video art and the relationship between painting and avant-garde films\"\"; \"\"Notes\"\"; \"\"References\"\"; \"\"4 Repetition and Fragmentation in Narrative: Videoâ€?s Appropriation and Subversion of Classical Cinema\"\"; \"\"Candice Breitzâ€?s Mother + Father (2005) Juxtaposed to Rodney Grahamâ€?s Vexation Island (1997) and Keren Cytterâ€?s Corrections (2013)\"\"; \"\"Aspects of Narrative in Video Art Reacting to Hollywood Films, and Views on Compulsive Repetition\"\"; \"\"Theories on narrative applied to the three key works\"\""]
[{"$nulls":4},"\"\"Compulsive repetition\"\""]
[null,null,null,"Sommario/riassunto","<b>Helen Westgeest </b>is Assistant Professor of Modern and Contemporary Art History at Leiden University, the Netherlands. Her most recent publication is <i>Photography Theory in Historical Perspective: Case Studies from Contemporary Art (</i>co-authored with Hilde Van Gelder, Wiley-Blackwell, 2011). Westgeest is also editor and a contributor of <i>Take Place: Photography and Place from Multiple Perspectives (</i>2009) and joint editor of <i>Photography between Poetry and Politics </i>(with Hilde Van Gelder, 2008)."]