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[null,"1.","Record Nr.",null,"UNINA9910460465303321"]
[null,null,"Autore",null,"Bennett Brett M. <1983->"]
[null,null,"Titolo",null,"Plantations and protected areas : a global history of forest management / / Brett M. Bennett"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge, Massachusetts : , : The MIT Press, , [2015]"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"0-262-32991-3"]
[null,null,"Descrizione fisica",null,"1 online resource (217 p.)"]
[null,null,"Collana",null,"History for a sustainable future"]
[null,null,"Disciplina",null,"634.9/2"]
[null,null,"Soggetti",null,"Forest protection"]
[{"$nulls":4},"Sustainable forestry"]
[{"$nulls":4},"Forest reserves"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction -- The conservation model : universal pattern, local adaptation -- Plantations -- Native forests : from multiple-use to protected areas -- Towards a twenty-first century consensus : problems and possibilities."]
[null,null,null,"Sommario/riassunto","\"This book offers a historical perspective on the global proliferation of protected forest areas and productive timber plantations. It argues that a forest management divergence--the separation of wood production from the protection of forests--has occurred during the twentieth century as a result of globalisation. The book shows how plantations and protected areas evolved from, and then undermined, an earlier integrated forest management system, the conservation model, that sought both to produce timber and to conserve the environment. To trace these changes, the book reassesses the historical development of the science and profession of forestry in eighteenth- and nineteenth-century Europe; offers an original interpretation on the twentieth-century creation of timber plantations in the Americas, Asia, Africa, and Australia; and establishes how the controversies over deforestation led to the establishment of protected areas. The book concludes with the suggestion that to solve the problems associated with the forest management divergence scientists, policy makers and environmentalists must better integrate protective and productive aspects of forest management. To successfully achieve this integration "]
[{"$nulls":4},"requires a deeper awareness of history\"--Publisher's description."]
[null,"2.","Record Nr.",null,"UNINA9910796341703321"]
[null,null,"Autore",null,"Grell Dieter"]
[null,null,"Titolo",null,"Der Betriebsinhaberwechsel : zugleich ein Beitrag zur Lehre von Arbeitsverhältnis und Betrieb / / von Dr. Dieter Grell"]
[null,null,"Pubbl/distr/stampa",null,"Berlin : , : Walter De Gruyter & Co., , [1957]"]
[{"$nulls":4},"©1957"]
[null,null,"ISBN",null,"3-11-153177-5"]
[null,null,"Edizione",null,"[Reprint 2017]"]
[null,null,"Descrizione fisica",null,"1 online resource (192 pages)"]
[null,null,"Collana",null,"Neue Kölner rechtswissenschaftliche Abhandlungen ; ; Heft 7"]
[null,null,"Disciplina",null,"344.4301891"]
[null,null,"Soggetti",null,"Labor contract - Germany (West)"]
[{"$nulls":4},"Business enterprises - Registration and transfer - Germany (West)"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Inhaltsverzeichnis -- Abkürzungen -- Literaturverzeichnis -- Einleitung -- 1. Kapitel: Der Begriff des Betriebes -- 2. Kapitel: Der Betrieb im Arbeitsrecht -- 3. Kapitel: Das Arbeitsverhältnis -- 4. Kapitel: Das Arbeitsverhältnis und Einzelfragen des Arbeitsrechts -- 5. Kapitel: Die Rechtsstellung der Arbeitnehmer bei einem Wechsel des Betriebsinhabers -- 6. Kapitel: Der Betriebsinhaberwechsel in der Sicht des modernen Arbeitsverhältnisses -- Backmatter"]
[null,"3.","Record Nr.",null,"UNINA9910768187803321"]
[null,null,"Autore",null,"Kuczynska Zosia"]
[null,null,"Titolo",null,"Brian Friel's Models of Influence / / by Zosia Kuczyńska"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023"]
[null,null,"ISBN",null,"9783031179051"]
[{"$nulls":4},"3031179056"]
[null,null,"Edizione",null,"[1st ed. 2023.]"]
[null,null,"Descrizione fisica",null,"1 online resource (284 pages)"]
[null,null,"Disciplina",null,"807.2"]
[{"$nulls":4},"792.9"]
[null,null,"Soggetti",null,"Theater - History"]
[{"$nulls":4},"Playwriting"]
[{"$nulls":4},"Dramatists"]
[{"$nulls":4},"Performing arts"]
[{"$nulls":4},"Theater"]
[{"$nulls":4},"Contemporary Theatre and Performance"]
[{"$nulls":4},"Playwrights and Playwriting"]
[{"$nulls":4},"Practice-as-Research"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"1. Introduction: ‘Don’t embalm me in pieties’ -- 2. Creative Encounters: Faith Healer and Artistic Practice -- 3. A Story Told Through People: Friel’s Embodied Intertexts -- 4. Form and Core: Brian Friel and Denis Donoghue -- 5. Influence as Model: Friel’s Performing Muse -- 6. ‘Don’t anticipate the ending’: Towards a Legacy of Artistic Practice -- 7. Conclusion: So What Is Surfacing(?)."]
[null,null,null,"Sommario/riassunto","The Brian Friel Papers at the National Library of Ireland are a record of a life’s work in progress. They represent a way of working and of making art over a period spanning more than fifty years. This book is the first of its kind in its attempt to interrogate the role of the Brian Friel Papers in Friel’s legacy as a working artist with a richly developed creative practice. By means of an unprecedented focus on Friel’s artistic process, Kuczyńska asks not only how and by whom Friel was being influenced and inspired, but also how and for whom Friel’s praxis might come to be an inspiration. Combining forensic archival scholarship with original, collaborative practice-based research, this "]
[{"$nulls":4},"study remains focused on the ‘how’ of influence, showcasing an approach to literary archives that foregrounds live practices of access in the spirit of creative encounter. Whether uncovering forgotten source materials for Friel’s plays or working with current practitioners in the arts, Kuczyńska reveals how an approach to literary archives grounded in artistic practice might provide the tools for setting a major creative legacy not in stone but rather in motion. Zosia Kuczyńska is an academic and poet with a research interest in archival practices. She was an IRC postdoctoral research fellow at University College Dublin, Ireland. Her work on Brian Friel has appeared in Irish University Review. She is the curator of ‘Don’t Anticipate the Ending’, a digital exhibition at the Museum of Literature Ireland. ."]
[null,"4.","Record Nr.",null,"UNINA9910637743403321"]
[null,null,"Autore",null,"Graham Stephen"]
[null,null,"Titolo",null,"Sounds of the Underground : : A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music / / Stephen Graham"]
[null,null,"Pubbl/distr/stampa",null,"2016"]
[{"$nulls":4},"[s.l.] : , : University of Michigan Press, , 2016"]
[null,null,"ISBN",null,"9780472902378"]
[{"$nulls":4},"0472902377"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"Tracking Pop."]
[null,null,"Classificazione",null,"MUS000000MUS015000POL003000"]
[null,null,"Soggetti",null,"Music / Ethnomusicology"]
[{"$nulls":4},"Music"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","In basements, dingy backrooms, warehouses, and other neglected places around the world music is being made that doesn't fit neatly into popular or classical categories and genres, whose often extreme sounds and tiny concerts hover on the fringes of these commercial and cultural mainstreams.  The term \"underground music\" as it's being used here connects various forms of music-making that exist outside or on the fringes of mainstream institutions and culture, such as noise, free improvisation, and extreme metal. This is music that makes little money, that's noisy and exploratory in sound and that's largely independent from both the market and from traditional high art institutions.  In this book, by outlining the historical background but focusing on the digital age, the underground and its fringes can be seen as based in radical anti-capitalist politics or radical aesthetics while also being tied to the political contexts and structures of late capitalism."]