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[null,"1.","Record Nr.",null,"UNINA9910460231303321"]
[null,null,"Titolo",null,"Critical articulations of race, gender, and sexual orientation / / edited by Sheena C. Howard"]
[null,null,"Pubbl/distr/stampa",null,"Lanham, [Maryland] : , : Lexington Books, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"0-7391-9917-X"]
[null,null,"Descrizione fisica",null,"1 online resource (297 p.)"]
[null,null,"Disciplina",null,"305.90664"]
[null,null,"Soggetti",null,"Minority gays"]
[{"$nulls":4},"Minority lesbians"]
[{"$nulls":4},"Sex discrimination"]
[{"$nulls":4},"Lesbians - Identity"]
[{"$nulls":4},"Gays - Identity"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references at the end of each chapters and index."]
[null,null,"Nota di contenuto",null,"Contents; Acknowledgments; Introduction; \"In Teaching Persona\"; I: Queer Identity Matrix; Chapter 1: Coming In/Out of the Closet; Chapter 2: Divided Loyalties; Chapter 3: Young Black and Latino Gay Men's Experiences with Racial Microaggressions; Chapter 4: Organizing Foreignness; \"The Origin of Coming Out\"; II: Identity Formation; Chapter 5: Latinas in the United States; Chapter 6: Me and My Shadow(s); Chapter 7: Reliving Oppression; Chapter 8: Coming Out, Covering, Connecting; \"What Truth?\"; III: Mass Mediated Representations; Chapter 9: Trans*ing Priestly Performances"]
[{"$nulls":4},"Chapter 10: Marking My Black Feminist HeterosexismChapter 11: Heterosexual Masculinity, the Self, and Social Needs; Chapter 12: A Multimodal Critical Discourse Analysis (MCDA) of Race, Class, Gender, and Sexual Orientation within the YouTube-based \"It Gets Better Project\"; Chapter 13: \"Don't Even Go There!\"; Chapter 14: Friends of Batman (And Dorothy); Index; About the Contributors; About the Editor"]
[null,null,null,"Sommario/riassunto","<span><span>This collection features engaging scholarly essays and creative writings that examine the meaning of race, gender, and sexual orientation as interlocking systems of oppression. It provides a meaningful space to analyze identity and identity politics, highlighting "]
[{"$nulls":4},"the complexities of identity formation in the twenty-first century.</span></span>"]
[null,"2.","Record Nr.",null,"UNINA9910790594803321"]
[null,null,"Titolo",null,"Discovering Cook's collections / / edited by Michelle Hetherington, Howord Morphy"]
[null,null,"Pubbl/distr/stampa",null,"Canberra, A.C.T : , : National Museum of Australia, , [2009]"]
[{"$nulls":4},"©2009"]
[null,null,"ISBN",null,"1-921953-07-1"]
[null,null,"Descrizione fisica",null,"1 online resource (111 p.)"]
[null,null,"Disciplina",null,"069.53"]
[null,null,"Soggetti",null,"Art objects - Packing"]
[{"$nulls":4},"Material culture - Oceania"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Contents; Foreword; Introduction; 1. Looking across the beach - both ways; 2. Cook, the discoverer; 3. The chief mourner's costume; 4. 'To attempt some new discoveries in that vast unknown tract'; 5. Brushed with fame; 6. Footprints in the sand; 7. Cook, his mission and Indigenous Australia; Authors' biographies"]
[null,null,null,"Sommario/riassunto","Discovering Cook's Collections focuses on the collections of art and material culture brought back from the Pacific on Captain Cook's voyages and contains essays by some of the world's leading and most innovative historians and anthropologists. The book celebrates the richness of Pacific Island cultures in the initial years of European contact as well as the collections' contemporary relevance to historians and the Indigenous communities who produced them. The essays in this book explore the history of the collections, their dispersal through the museums and private collections of Europe and t"]